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| Titre : | Gardens All Wet With Rain : Pastoralism in the Music of Van Morrison (2019) |
| Auteurs : | Gerry SMYTH, Auteur |
| Type de document : | Article |
| Dans : | Irish University Review (Vol 49 n 1 Spring/Summer 2019) |
| Article en page(s) : | p. 171-187 |
| Langues: | Anglais |
| Mots-clés : | |
| Résumé : | ‘Ecomusicology’ is a developing field that looks to explore the interface between modern eco-theory and a range of historical and contemporary musical phenomena. Generated as it is by a country in which ideas of space/place and ideas of music feature particularly strongly, it is likely that Irish cultural history will resonate powerfully in relation to an ecomusicological perspective. The early work of Van Morrison is rooted in the hippie counter-culture of the 1960s, one principal strand of which concerned environmental despoliation and the need for some form of re-enchantment with nature. By contrast, the ‘Celtic Music’ phenomenon of the 1990s was brought to its artistic (and financial) apogee by the Donegal singer Enya. Drawing on techniques initially developed by family members in Clannad, Enya evinced a form of mystical Celticism which, even as it harked back to earlier versions, sang to a quasi-environmentalist discourse embedded within the contemporary style known as ‘New Age’. The essay will conclude with a brief description of the other areas of Irish music that would be amenable to an ecomusicological audit. |
| Pays de publication : | Grande-Bretagne (Royaume Uni) |
| Fonds : | Médiathèque |
