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Carole Jacquet
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Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

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Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Un pass sanitaire vous sera demandé

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Titre : "You can't grab anything with a closed fist" : Reflections on Ulster Protestant Identity in Derek Lundy's Men That God Made Mad: A Journey Through Truth, Myth and Terror in Northern Ireland (2015)
Auteurs : Billy GRAY, Auteur
Type de document : Article
Dans : Etudes irlandaises (Vol 40 n 1 2015)
Article en page(s) : p. 285-304
Langues: Anglais
Mots-clés :

IRLANDE

LITTERATURE

RELIGION

SOCIETE

Résumé : In Ireland and within Irish studies itself, considerable effort has been expended in the endeavour to disclose the complex interaction between past conflicts and contemporary attempts to recoup their significance in the present. Derek Lundy's Men That God Made Mad: A Journey Through Truth, Myth and Terror in Northern Ireland a work of non-fiction published in 2006, is an invaluable and timely contribution to our understanding of the selectivity of national memory and the indelible link that exists between familial remembrance and its communal counterpart. A generically hybrid work, part historical investigation, part memoir, Lundy's text combines a blend of meticulous research with autobiographical snapshots, interspersed with an exploration of the connection between personnal and collective identities. Claiming that "the lives of my ancestors resonate in the very core of Ulster history" Lundy uses the lives of three such ancestors as a prism through which to examine the standard, received stories of myth and history so prominent within the Ulster Protestant tradition. Moreover, my article will seek to show how Lundy, through an engagement with his own personal background as a member of an Ulster Protestant family, positions himself in a metaphorical space where individual memory, cultural allegiance and concepts of the self merge
Pays de publication : France
Lieu de publication : Rennes
Mention de responsabilité : Billy Gray
Fonds : Médiathèque