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Documents disponibles dans cette catégorie (177)

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Alexandra POULAIN, Auteur |The article looks at Lady Gregory's translations of four Molière plays into the Kiltartan dialect, and contends that they are part of a cultural battle Gregory is fighting, a complex contribution t...![]()
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Eamon MAHER, Éditeur scientifique ; Grace NEVILLE, Éditeur scientifique ; Eugene O'BRIEN, Éditeur scientifique | Berne : Peter Lang | Studies in Franco-Irish Relation | 2008Contents: Helen Astbury: Prose, Theatre, Translation: Beckett, the reluctant Postmodernist - Fabienne Dabrigeon Garcier : « Short story » et « nouvelle » : les apories du genre court chez Samuel Be...![]()
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Brian SINGLETON, Auteur |Two contemporary productions representing the visit of French theatrical visionary Antonin Artaud to Ireland in 1937 are the subject of this paper. One production charted, in a linear fashion, Arta...![]()
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Wesley HUTCHINSON, Auteur |The paper looks at Armand Gatti's work on the hunger strikes in Northern Ireland through an examination of two plays, Le Labyrinthe (1982) and Le Labyrinthe tel qu'il a été écrit par les habitants ...![]()
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Peter KUCH, Auteur |Sarah Bernhardt's 1891 Melbourne season marked a key moment in Australian cultural history, a moment when modernity triumphed over modernism. Modernity is taken to mean the technological innovation...![]()
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Pascal AQUIEN, Auteur |L'influence du théâtre bourgeois français du XIXe siècle sur la production dramatique d'Oscar Wilde est considérable. D'une part, le dramaturge irlandais se sert de ce cadre formel préétabli pour c...![]()
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KILA, Compositeur ; KILA, Musicien ; Bruno COULAIS, Compositeur | 2008![]()
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Shaun RICHARDS, Auteur |The article reads the work of J.M. Synge, especially The Playboy of the Western World (1907), within the context of fin-de-siècle Paris's fusion of art and anarchism of which Alfred Jarry's Ubu Roi...![]()
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Alexandra POULAIN, Intervieweur ; Nathalie KOUROUMA, Personne interviewée ; Conor LOVETT, Personne interviewée ; Stuart SEIDE, Personne interviewée |A. Poulain. I am delighted to have the opportunity to present our three guests for this round table devoted to Samuel Beckett. Let me first introduce Stuart Seide, our host here at Théâtre du Nord,...![]()
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Cathy LEENEY, Auteur |Through an outline exploration of key issues in his training for actors, this paper suggests that the influence of Jacques Lecoq on Irish theatre is at an early stage of development, and that, thro...![]()
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