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Seamus Heaney began translating the Middle Irish romance Buile Suibhne in 1972, but his ‘version from the Irish’, Sweeney Astray, wasn't published until 1983. This article explores Heaney's adaptation of metaphors from J.G. O'Keeffe's dual-langu[...]Article
Allusions to other texts abound in John McGahern's fiction. His works repeatedly, though diffidently, refer to literary tradition. Yet the nature of such allusiveness is still unclear. This article focuses on how allusion in The Pornographer (19[...]Article
In 2016, New Island Books published The Glass Shore, an anthology of short stories by women writers from the North of Ireland, edited by Sinéad Gleeson. To stage and share examples of the ‘reading dynamics’ enabled by this welcome anthology, I i[...]Article
Yoko SATO, Auteur |W.B. Yeats intended The Cat and the Moon to be a Japanese ‘Kiogen’, a farce or comedy presented between two Noh plays or within a single Noh play. In the inner drama of The Cat and the Moon, miracles happen to both of the emblematic characters, [...]Article
Anne Enright's trauma novel, The Gathering (2007), and Tana French's crime novel, The Secret Place (2014), can be seen to operate purposefully within the familiar codes of their respective genres to a degree that draws attention to the processes[...]Article
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A review of the two most recent collections by Billy Mills and Catherine Walsh: namely, "Imaginary Gardens" and "Astonished Birds/Cara, Jane, Bob and James", both published by hardPressed poetry in 2012. An attempt is made to describe how both a[...]Article
While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must catch up with this ‘deprovincialized’ drama, dr[...]Article
This essay reassesses Kate O'Brien's "The Flower of May", and argues that the novel presents as close to a conclusion as practicable to the themes O'Brien worked on throughout her fiction – the freedom to choose one's path in life, the negotiati[...]Article
Helen Vendler, in her magisterial "Our Secret Discipline: Yeats and Lyric Form" (2007), provides us with the tools with which to register the traditional formal elements of poetry, and she does so for the most part with her usual subtlety, clari[...]Article
"Brendan at the Chelsea", which started life at the National Theatre Studio, was one of the first productions in the opening season at the newly rebuilt Lyric Theatre, Belfast in 2011. The Lyric production toured to New York, Belfast, Dublin, an[...]
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Autobiographical essays, critical essays on poets and poetry (including Peter Fallon, Louis MacNeice, Michael Hartnett, Thomas Kinsella) and Seamus Heaney
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W. B YEATS, Auteur ; Jacqueline GENET, Éditeur scientifique | Paris : Presses de l'université Paris-Sorbonne | 2012Document du Fonds Adolphe Haberer, donation reçue en 2016. Consultation sur place, sur rendez-vous.
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