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In Jail Journal (1854), John Mitchel describes receiving a hero’s welcome on his arrival in Brooklyn as an escaped convict on 29 November 1853. That same day, Austin Reed was enjoying one of his rare periods of freedom from New York State penal [...]Nouveauté
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This article focuses on the role that prisoners play in the poems of Seamus Heaney. From the time of the introduction of internment in Northern Ireland in the early 1970s, Heaney’s poems frequently touch on prisoners, the conditions in which the[...]Nouveauté
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This essay considers the relationships between Samuel Ferguson, Edward Dowden, and Aubrey de Vere in the late nineteenth century. In evaluating Ferguson’s career shortly after the poet’s death in 1886, W. B. Yeats considered him as being ill-ser[...]Nouveauté
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Hedwig SCHWALL, Auteur |It has been argued that “Troubles texts” tend to focus on identity formation, on violence and mimetic behaviour, on essentialist positions and on how they cause stasis and lack of emotion, while many short fiction writers have tried to deconstru[...]![]()
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Brian FOX, Auteur |It is well known by now that John McGahern was a scrupulous reviser of his own work, even if this insight into his compositional methods has not been accompanied by a substantial body of research on the archive and the revisions themselves. This[...]Nouveauté
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Chris MCCANN, Auteur |Cet article porte sur le symbolisme de la musique et de la danse dans la nouvelle de Meadhbh Ní Eadhra, « Cuairteoirí » [« Les visiteurs »], publiée dans le numéro d’octobre 2020 de la revue Comhar. Le cadre de la nouvelle est celui d’une maison[...]![]()
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In Caitriona Lally's debut novel Eggshells (2015), the narrator Vivian Lawlor is an adult woman with a quirky personality living in North Dublin, who believes herself to be a changeling. Throughout the novel, Vivian travels various paths in Dubl[...]Nouveauté
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Bo CAO, Auteur |In light of the relevant merits and defects of translation practice over sixty years, this article presents a critical history of the Chinese translation of the work of Samuel Beckett. The article argues that the history may be divided into two [...]Nouveauté
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Focused on Muldoon's father elegies written between his debut collection New Weather and Hay, the present essay argues that these poems evoke paternal death as the founding moment of poetic expression. Only when the father figure has passed away[...]Nouveauté
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Grazia GRASSO, Auteur |L’article présente l’œuvre herméneutique de John Lanigan (1758-1825), d’abord disciple du janséniste italien Pietro Tamburini (1737-1827) au Collège irlandais de Rome, puis professeur d’Écritures saintes à Pavie. Chez les Anglo-Saxons, il est co[...]![]()
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The notion of soundless music seems contradictory, even absurd: the concept of soundless musical experience less so. In this article, I explore two quite different descriptions of this kind of experience as set out in two mid-twentieth-century I[...]Nouveauté
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One of the central contentions of this essay is that Paul Murray's novel, The Mark and the Void, addresses questions of faith, fictionality, literary form and the relationship between abstract finance and material sociality. The novel engages wi[...]Nouveauté
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Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and entertainment with serious cultural critique, th[...]Nouveauté
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Deirdre Madden’s novel One by One in the Darkness, first published in 1996, marks its twenty-fifth anniversary in 2021. Madden began writing the book in 1993 in anticipation of another anniversary(a quarter century of political and sectaria[...]![]()
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The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply [...]![]()
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Tom O’Flaherty’s unpublished novel Red Crom’s Island is a distinctly political potboiler that envisions the Gaeltacht as a potential centre for leftist revolutionary activity. By comparison, O’Flaherty’s two Anglophone short stories collection[...]![]()
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This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932), Deevy’s first twoAbbey productions, The Reape[...]![]()
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This essay adapts David Cregan’s concept of‘queer memory’–a form of memory defined‘by exclusion rather than inclusion’–to the author of The Quare Fellow, analysing narrative gaps in Brendan Behan’s Borstal Boy in order to better understand its c[...]![]()
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This article investigates how William Butler Yeats’s interest in, and professional engagement with, modern dance affected the dramaturgical composition of his plays. Instead of focusing on individual dancers’contributions to the dance plays’ pre[...]![]()
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Chiamaka ENYI-AMADI, Auteur ; Emma PENNEY, Auteur |This critical exchange is based on a conversation between the authors which took place during the Irish University Review Roundtable Discussion: Displacing the Canon (2019 IASIL Conference, Trinity College Dublin). As authors we give first-h[...]