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Documents disponibles dans cette catégorie (621)

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Introduction. Oscar Wilde, The Importance of Being Earnest ; Emily Eells "Sincere and Studied Triviality": The Importance of Being Earnest as an Aestheticist Comedy of Manners ; Petra Dierkes-Th...![]()
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Kevin BARRY, Directeur de publication ; Olivia SMITH, Directeur de publication | Ballinafad : Curlew Editions | 2015Contributors and interviewees include: Lenny Abrahamson, Colin Barrett, Seanie Barron, Kevin Barry, Sara Baume, Claire-Louise Bennett, John Butler, Maud Cotter, Rob Doyle, Grace Dyas, Jeppe Gjervig...![]()
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Première partie : Une utopie théâtrale Chapitre 1. Une dramaturgie du rite : 1. Yeats et la religion 2. Art, religion, et rituel Chapitre 2. La voix au coeur du rituel : 1. La parole magique, d...![]()
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This essay argues that an assessment of the Beckettian qualities of McGahern's work should take into account the recent scholarship which has explored Beckett's absorption in philosophy. The author...![]()
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"Brendan at the Chelsea", which started life at the National Theatre Studio, was one of the first productions in the opening season at the newly rebuilt Lyric Theatre, Belfast in 2011. The Lyric pr...![]()
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‘New York humour is largely an Irish-Jewish creation’ (Ulick O'Connor, "Brendan Behan", 1970). Brendan Behan, of course, was not a professional ‘stand-up comedian’ in the strictest sense of the ter...![]()
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In Brendan Behan's "An Giall" and "The Hostage", song and dance establish atmosphere and character, comment ironically on the action, relate the characters to one another in a union of society's ou...![]()
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This essay examines Brendan Behan's evolution as a dramatist, linking him to the tradition of O'Casey's urban theatre, particularly "Juno and the Paycock", and emphasising his closeness to the expe...![]()
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The Ginger Ale Boy; Disco Pigs; Misterman; bedbound; How These Desperate Men Talk; The Small Things; Lynndie's Gotta Gun; Chatroom![]()
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The Walworth Farce; The New Electric Ballroom; Penelope; My Friend Duplicity; Room 303; Ballyturk![]()
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