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‘New York humour is largely an Irish-Jewish creation’ (Ulick O'Connor, "Brendan Behan", 1970). Brendan Behan, of course, was not a professional ‘stand-up comedian’ in the strictest sense of the term, although he possessed the wit and performativ[...]Article
In Brendan Behan's "An Giall" and "The Hostage", song and dance establish atmosphere and character, comment ironically on the action, relate the characters to one another in a union of society's outcasts, and valorize life, love, healthy and ope[...]Article
This essay examines Brendan Behan's evolution as a dramatist, linking him to the tradition of O'Casey's urban theatre, particularly "Juno and the Paycock", and emphasising his closeness to the experimental drama of his near contemporary, Samuel [...]
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The Ginger Ale Boy; Disco Pigs; Misterman; bedbound; How These Desperate Men Talk; The Small Things; Lynndie's Gotta Gun; Chatroom
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The Walworth Farce; The New Electric Ballroom; Penelope; My Friend Duplicity; Room 303; Ballyturk
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Charlotte MCIVOR, Éditeur scientifique ; Matthew SPANGLER, Éditeur scientifique | Cork : Cork University Press | 2014Eight plays and six interviews with migrant and Irish-born theatre artists who are producing work at the intersection of interculturalism and inward-migration in Ireland during the first decades of the 21st Century.
Plays covered: Cave Dwell[...]
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Titre original : All That Falls
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Ben BARNES, Directeur de publication ; John BANVILLE, Auteur ; Eoin COLFER, Auteur ; Billy ROCHE, Auteur ; Colm TOIBIN, Auteur | Dublin : Carysfort Press | 2014WexFour réunit quatre pièces : "Prince Charming and the Dame" de John Banville, "My Real Life" de Eoin Colfer, "The Dog and Bone" de Billy Roche, et "Erosion" de Colm Toibin
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Patrick PEARSE, Auteur ; Eugene MCNULTY, Éditeur scientifique ; Roisin NI GHAIRBHI, Éditeur scientifique | Sallins : Irish Academic Press | 2013
