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Documents disponibles dans cette catégorie (621)

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Estelle EPINOUX, Éditeur scientifique ; Frank HEALY, Éditeur scientifique | Newcastle upon Tyne : Cambridge Scholars Publishing | 2016Part I: Conflicts and Reconciliations: Past and Present Shoulder to Shoulder: The Co-existence of Truths in the “Theatre of Witness” - David Grant Quietly (2012), by Owen McCafferty: Towards a ...![]()
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Claire POINSOT, Auteur | 2016![]()
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Pierre LONGUENESSE, Auteur |Dans The Dreaming of the Bones, écrit sous le coup des événements de Pâques 1916 à Dublin, Yeats met en scène, jouant du modèle du Nô, un jeune insurgé en fuite, confronté à deux fantômes, à mi-che...![]()
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Neil MURPHY, Éditeur scientifique ; Keith HOPPER, Éditeur scientifique | Dublin : Dalkey Archive Press | 2016![]()
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Benedicte SEYNHAEVE, Auteur ; Raphaël INGELBIEN, Auteur |Several studies have tried to answer the question ‘where is Ireland in "The Tempest"?’, while others have assessed Ireland's sense of its own postcoloniality through Irish writers' engagement with ...![]()
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In this interview, conducted in the Summer of 2014, Frank McGuinness talks about his introduction to Old and Middle English as a student in University College Dublin and its influence on his writin...![]()
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While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must...![]()
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Sean O'Casey's later plays, written between the 1930s and the early 1960s, are at the centre of Shivaun O'Casey's intimate memory of the theatrical family's life, their cultural influences, daring,...![]()
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In this wide ranging interview between Druid's Artistic Director Garry Hynes and Nicholas Grene, she speaks of her work on the two marathon productions, DruidSynge in 2004–6 and DruidMurphy in 2012...![]()
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Clearing away all assumptions of familiarity with Shakespeare's play, this essay examines "Macbeth" with penetrating clarity and passionate understanding. Structure, plot, and dark magic are interw...![]()
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Christopher Murray, Philip Edwards, and Rebecca Steinburger have examined the ways in which the Irish Dramatic Revival drew on the example and plays of Shakespeare. Their emphasis falls on Yeats an...![]()
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This essay explores theatre's power to take an audience beyond the veil of civilization into an encounter with the human as monstrous. Through the mythology and theatre of the Greeks, through Shake...