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Centre Culturel Irlandaiscontact
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Documents disponibles dans cette catégorie (621)

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Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexual...![]()
Evénement enregistré
Lian BELL, Auteur | 2018Événement enregistré dans le cadre de la programmation culturelle du CCI. La scénographe et directrice artistique Lian Bell évoque le grand succès de la campagne pour l’égalité des femmes dans le ...![]()
Article
Accepted theatre history awards Sir Tyrone Guthrie a singular position of influence on Brian Friel's early career. But hundreds of documents newly discovered in BBC archives reveal that Belfast rad...![]()
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Beckett's Ill Seen Ill Said begins with the protagonist in a position where ‘she sees Venus rise followed by the sun.’ This opening indicates the direct relationship between the narrative and astro...![]()
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This article discusses Beckett's and Friel's interest in waiting in the context of Jacques Derrida's notions of ‘messianism’ and the ‘messianic’. Beckett's Waiting for Godot and Friel's Freedom of ...![]()
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This article concerns the Belfast dramatist Owen McCafferty (1961–) and his play Quietly, which debuted at the Abbey's Peacock Theatre in November 2012. Considering antecedents in McCafferty's earl...![]()
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Yoko SATO, Auteur |W.B. Yeats intended The Cat and the Moon to be a Japanese ‘Kiogen’, a farce or comedy presented between two Noh plays or within a single Noh play. In the inner drama of The Cat and the Moon, miracl...![]()
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Au sein d'une carrière marquée par la performance, Tania Bruguera met en scène Endgame d'après Fin de partie de Samuel Beckett. Une oeuvre dont la portée politique interroge la transgression du pou...![]()
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This essay explores how the notion of ‘parallel games’ works to queer memory in two productions of Northern Ireland's first publicly funded gay theatre company, TheatreofplucK, led by artistic dire...![]()
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Performing Trauma in Post-conflict Northern Ireland : Ethics, Representation and the Witnessing Body
This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of n...![]()
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This paper addresses William Butler Yeats’s dramatisation of his life-long interest in the invisible realm and an ideal Irish aristocracy in his five Cuchulain plays. I wish to illustrate how Yeats...![]()
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Una KAVANAGH, Auteur ; Louise LOWE, Auteur |![]()
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