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Performing Trauma in Post-conflict Northern Ireland : Ethics, Representation and the Witnessing Body
This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of nationalism and unionism, marginalised in psychoa[...]Article
This paper addresses William Butler Yeats’s dramatisation of his life-long interest in the invisible realm and an ideal Irish aristocracy in his five Cuchulain plays. I wish to illustrate how Yeats expresses his increasing ambiguities over the c[...]
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Una KAVANAGH, Auteur ; Louise LOWE, Auteur |
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Linda ANDERSON, Éditeur scientifique ; Dawn Miranda SHERRATT-BADO, Éditeur scientifique | Stillorgan : New Island | 2017
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Anne ETIENNE, Éditeur scientifique ; Thierry DUBOST, Éditeur scientifique | Basingstoke : Palgrave Macmillan | 2017
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Introduction: An Underground Theatre chapter 1: Unlikely Iconoclast: Mairead Ni Ghrada (1896-1971) chapter 2: A Northern Voice: Seamus O Neill (1910-1981) chapter 3: A Theatre of Ideas: Eoghan O Tuairisc (1919-1982) chapter 4: Breaking Down [...]
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Sonya KELLY, Auteur ; Noni STAPLETON, Auteur ; Margaret MCAULIFFE, Auteur | Londres : Methuen Drama | 2017Article
Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", was screened by RTÉ in 1988, "The Contest" became [...]Article
This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of confinement which are mentioned in the play, ar[...]
