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Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Fermeture exceptionnelle vendredi 27 mai et lundi 6 juin.

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Fermeture exceptionnelle vendredi 27 mai et lundi 6 juin.

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Mots-clés

> THEATRE

THEATRE

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The Queen’s two bodies

Article

This article reads Panti’s Noble Call at the Abbey theatre on 1 February 2014 in the light of Didier Eribon’s work on the experience of insult as constitutive of gay subjectivity. However, it goes on to argue that Panti’s narrated experience of [...]
There's ropes and there's ropes

Article

Martin McDonagh's Hangmen (2015) is concerned with the moral question of justice. Set in a northern English pub run by a former hangman, the play's action takes place in 1965, on the day capital punishment is abolished in Britain. Combining (met[...]
Kate O'Brien in the Theatre

Article

Kate O'Brien initially made her literary reputation as a dramatist rather than a novelist. Her debut play Distinguished Villa (1926) won acclaim in London when first produced onstage, and critics compared her with Seán O'Casey. However, O'Brien'[...]

Livre

Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexuality 4 Bachelors Gay: The Death and Resurrection[...]
Waking the Feminists

Evénement enregistré

Lian BELL, Auteur | 2018
Événement enregistré dans le cadre de la programmation culturelle du CCI. La scénographe et directrice artistique Lian Bell évoque le grand succès de la campagne pour l’égalité des femmes dans le théâtre irlandais, qu’elle a lancée fin 2015 sou[...]
Brian Friel, the BBC, and Ronald Mason

Article

Accepted theatre history awards Sir Tyrone Guthrie a singular position of influence on Brian Friel's early career. But hundreds of documents newly discovered in BBC archives reveal that Belfast radio drama producer Ronald Mason was perhaps more [...]
In the dim light

Article

Beckett's Ill Seen Ill Said begins with the protagonist in a position where ‘she sees Venus rise followed by the sun.’ This opening indicates the direct relationship between the narrative and astronomical phenomena of Venus rising as the morning[...]
Let's wait and see

Article

This article discusses Beckett's and Friel's interest in waiting in the context of Jacques Derrida's notions of ‘messianism’ and the ‘messianic’. Beckett's Waiting for Godot and Friel's Freedom of the City and Wonderful Tennessee associate waiti[...]
Something Happening Quietly

Article

This article concerns the Belfast dramatist Owen McCafferty (1961–) and his play Quietly, which debuted at the Abbey's Peacock Theatre in November 2012. Considering antecedents in McCafferty's earlier work, it illustrates how the play reflects a[...]
Yeats's Kiogen

Article

W.B. Yeats intended The Cat and the Moon to be a Japanese ‘Kiogen’, a farce or comedy presented between two Noh plays or within a single Noh play. In the inner drama of The Cat and the Moon, miracles happen to both of the emblematic characters, [...]
Endgame, Tania Bruguera

Article

Au sein d'une carrière marquée par la performance, Tania Bruguera met en scène Endgame d'après Fin de partie de Samuel Beckett. Une oeuvre dont la portée politique interroge la transgression du pouvoir.
Parallel Games and Queer Memories

Article

This essay explores how the notion of ‘parallel games’ works to queer memory in two productions of Northern Ireland's first publicly funded gay theatre company, TheatreofplucK, led by artistic director Niall Rea: the testimonial monologue D.R.A.[...]