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Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Un pass sanitaire vous sera demandé

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Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Un pass sanitaire vous sera demandé

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

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> THEATRE

THEATRE

Documents disponibles dans cette catégorie (608)

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From Brigit to Bailegangaire

Article

Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", was screened by RTÉ in 1988, "The Contest" became [...]
Home, the Asylum, and the Workhouse in The Shadow of the Glen

Article

This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of confinement which are mentioned in the play, ar[...]
Irish Bastards

Article

This article examines Celia de Fréine’s re-imagining of Brian Merriman’s canonic text The Midnight Court/Cúirt an Mheán Oíche. Through textual and contextual analysis of specific extracts of the texts, the article illustrates how de Fréine’s ver[...]

Livre

1 Shaw and the Rise of Reverse Snobbery 2 Shaw and the Irish Diaspora 3 Shaw and Irish Anglican Preoccupations 4 Shaw and the Stage Englishman in Irish Literature

Livre

Nicholas GRENE, Éditeur scientifique ; Christopher MORASH, Éditeur scientifique | Oxford : Oxford University Press | 2016
Part I Nineteenth-Century Legacies Part II Theatre and Nation Part III Models and Influences Part IV Revolution and Beyond Part V Performance 1 Part VI Contesting Voices Part VII The New Revival Part VIII Diversification Part IX Performa[...]

Livre

Estelle EPINOUX, Éditeur scientifique ; Frank HEALY, Éditeur scientifique | Newcastle upon Tyne : Cambridge Scholars Publishing | 2016
Part I: Conflicts and Reconciliations: Past and Present Shoulder to Shoulder: The Co-existence of Truths in the “Theatre of Witness” - David Grant Quietly (2012), by Owen McCafferty: Towards a Quiet Reconciliation? - Brigitte Bastiat Remem[...]
Voix de revenants dans les Pièces pour danseurs de W. B. Yeats

Article

Dans The Dreaming of the Bones, écrit sous le coup des événements de Pâques 1916 à Dublin, Yeats met en scène, jouant du modèle du Nô, un jeune insurgé en fuite, confronté à deux fantômes, à mi-chemin entre passé et présent, songe et réalité. La[...]
Doing her spiriting

Article

Several studies have tried to answer the question ‘where is Ireland in "The Tempest"?’, while others have assessed Ireland's sense of its own postcoloniality through Irish writers' engagement with Shakespeare's most ‘colonial’ play. This essay a[...]
I heard him in that ancient poem

Article

In this interview, conducted in the Summer of 2014, Frank McGuinness talks about his introduction to Old and Middle English as a student in University College Dublin and its influence on his writings. Particular attention is given to his enormou[...]
Deprovincializing Brian Friel's Drama in America, 2009 and 2014

Article

While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must catch up with this ‘deprovincialized’ drama, dr[...]
Down South with O'Casey's Later Work

Article

Sean O'Casey's later plays, written between the 1930s and the early 1960s, are at the centre of Shivaun O'Casey's intimate memory of the theatrical family's life, their cultural influences, daring, professional triumphs, and disappointments. Gro[...]
An Interview with Garry Hynes

Article

In this wide ranging interview between Druid's Artistic Director Garry Hynes and Nicholas Grene, she speaks of her work on the two marathon productions, DruidSynge in 2004–6 and DruidMurphy in 2012–13. She explains the origins of the idea of doi[...]
Madness and Magic

Article

Clearing away all assumptions of familiarity with Shakespeare's play, this essay examines "Macbeth" with penetrating clarity and passionate understanding. Structure, plot, and dark magic are interwoven as McGuinness follows the brutal ascent to [...]
Mirror up to nation

Article

Christopher Murray, Philip Edwards, and Rebecca Steinburger have examined the ways in which the Irish Dramatic Revival drew on the example and plays of Shakespeare. Their emphasis falls on Yeats and O'Casey, both of whom have written extensively[...]
Playing the Monster on Stage

Article

This essay explores theatre's power to take an audience beyond the veil of civilization into an encounter with the human as monstrous. Through the mythology and theatre of the Greeks, through Shakespeare, and into contemporary plays and producti[...]
Re-imagining Twentieth-Century Irish Theatre

Article

Following on from a roundtable discussion that took place at the 2013 Conference of the Irish Society of Theatre Research at the University of London, Birkbeck, this essay presents reflections on the developments in scholarship on twentieth-cent[...]
Samuel Beckett and Irish Scenography

Article

This essay offers some glimpses of the parallel histories of Beckett and Irish scenography, and explores how they have impacted on each other. In particular, we investigate the intersections between Beckett and theatre in Dublin in the 1920s and[...]
The Work of a Young Nationalist?

Article

In 1965 Tom Murphy was commissioned by BBC Television to write a play, "The Patriot Game", to be broadcast in the following year on the occasion of the fiftieth anniversary of the Easter Rising. However, it was finally not made as the estimated [...]
Yeats and Japan

Article

‘Yeats and Japan: The Dreaming of the Bones’ first investigates how the Noh came to influence Yeats, then analyzes Yeats's "Four Plays for Dancers", focusing on "The Dreaming of the Bones", and explains how this Yeats play is adapted into a new [...]

Livre

Maire Nic Shiubhlaig, Peadar Kearney, Helena Molony, Barney Murphy, Ellen Busshell, Sean Connolly, Arthur shields before, during and after the Easter Rising of 1916
"The Lost and the Lonely"

Article

This article explores the theme of crisis in three plays by Enda Walsh: Penelope (2010), The New Electric Ballroom (2008) and The Walworth Farce (2006). By showing how Penelope directly addressed the collapse of the Celtic Tiger, the article ide[...]

Livre

Flann O'BRIEN, Auteur ; Patrick REUMAUX, Préfacier, etc. | Paris : Les Belles Lettres | 2015
Swim-Two-Birds ; Le Troisième policier ; La Chienlit ; Le Pleure-Misère ; L'Archiviste de Dublin ; The Best of Myles ; Le Frangin

Livre

Introduction. Oscar Wilde, The Importance of Being Earnest ; Emily Eells
"Sincere and Studied Triviality": The Importance of Being Earnest as an Aestheticist Comedy of Manners ; Petra Dierkes-Thrun
A Close Reading of The Importance of B[...]
Winter Pages 1

Livre

Kevin BARRY, Directeur de publication ; Olivia SMITH, Directeur de publication | Ballinafad : Curlew Editions | 2015
Contributors and interviewees include: Lenny Abrahamson, Colin Barrett, Seanie Barron, Kevin Barry, Sara Baume, Claire-Louise Bennett, John Butler, Maud Cotter, Rob Doyle, Grace Dyas, Jeppe Gjervig Gram, David Hayden, Desmond Hogan, Conor Horgan[...]

Livre

Première partie : Une utopie théâtrale
Chapitre 1. Une dramaturgie du rite : 1. Yeats et la religion 2. Art, religion, et rituel
Chapitre 2. La voix au coeur du rituel : 1. La parole magique, de l'écriture à la scène 2. Le spectateur-aud[...]
An Umbrella, a Pair of Boots, and a Spacious Nothing

Article

This essay argues that an assessment of the Beckettian qualities of McGahern's work should take into account the recent scholarship which has explored Beckett's absorption in philosophy. The author of the present essay follows Husserl's injuncti[...]
Brendan at the Chelsea

Article

"Brendan at the Chelsea", which started life at the National Theatre Studio, was one of the first productions in the opening season at the newly rebuilt Lyric Theatre, Belfast in 2011. The Lyric production toured to New York, Belfast, Dublin, an[...]
Brendan Behan, Borscht Belt Comedian

Article

‘New York humour is largely an Irish-Jewish creation’ (Ulick O'Connor, "Brendan Behan", 1970). Brendan Behan, of course, was not a professional ‘stand-up comedian’ in the strictest sense of the term, although he possessed the wit and performativ[...]
For all the outcasts of this world

Article

In Brendan Behan's "An Giall" and "The Hostage", song and dance establish atmosphere and character, comment ironically on the action, relate the characters to one another in a union of society's outcasts, and valorize life, love, healthy and ope[...]
Saint Behan

Article

This essay examines Brendan Behan's evolution as a dramatist, linking him to the tradition of O'Casey's urban theatre, particularly "Juno and the Paycock", and emphasising his closeness to the experimental drama of his near contemporary, Samuel [...]

Livre

The Ginger Ale Boy; Disco Pigs; Misterman; bedbound; How These Desperate Men Talk; The Small Things; Lynndie's Gotta Gun; Chatroom