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Biographical essay by Barry Houlihan on Carolyn Swift![]()
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Kate MCCARTHY, Auteur ; Una KEALY, Auteur |This essay explores a unique set of documents, comprising letters and postcards, sent by Teresa Deevy to her friend and fellow Waterford playwright, James Cheasty. To date, Deevy’s correspondence h...![]()
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Martin G. MOLONY, Auteur |This article outlines the popularity – and financial success – of an eighteenth-century Dublin puppet theatre that threatened mainstream theatres of the time. Randall Stretch’s puppet theatre, in D...![]()
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Hélène LECOSSOIS, Auteur |Entretien avec Sarah Jane Scaife, directrice artistique de Company SJ![]()
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Lionel PILKINGTON, Auteur |« Le théâtre de la perturbation » : entretien avec Olwen Fouéré![]()
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In 2012 and 2013, two productions of the Hijabi Monologues, an American theatre project featuring the stories of Muslim women, were staged in Ireland. This essay considers their relationship to sta...![]()
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Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and ...![]()
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Jim CULLETON, Auteur ; Emma RADLEY, Auteur |![]()
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Moonyoung HONG, Auteur |The paper examines Tom Murphy’s play The Wake and the significance of its staging as part of the Abbey Theatre’s 1916 centenary “Waking the Nation” programme. The play critiques the process by whic...![]()
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David CLARE, Directeur de publication ; Fiona McDonagh, Directeur de publication ; Justine Nakase, Directeur de publication | Liverpool : Liverpool University Press | 2021![]()
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David CLARE, Directeur de publication ; Fiona McDonagh, Directeur de publication ; Justine Nakase, Directeur de publication | Liverpool : Liverpool University Press | 2021![]()
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The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in way...![]()
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This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932...![]()
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Thierry DUBOST, Auteur |The Secret Fall of Constance Wilde, dont la première se déroula à l’Abbey Theatre en 1997, trouve son origine dans une commande du théâtre national visant à célébrer le centenaire de la sortie de p...![]()
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This article investigates how William Butler Yeats’s interest in, and professional engagement with, modern dance affected the dramaturgical composition of his plays. Instead of focusing on individu...![]()
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Lisa FITZPATRICK, Auteur |This essay draws upon the work of Judith Butler, Sara Ahmed, and Germaine Greer to consider the #MeToo movement and its reflection in the work of the author’s students and the scandal at Dublin’s G...![]()
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Eva URBAN, Auteur |The 2019 Lyric Theatre and Dublin Theatre Festival co-production of J. M. Synge’s The Playboy of the Western World (1907), directed by Oonagh Murphy, encouraged an abstract reading of the play in n...![]()
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Monica FRAWLEY, Auteur | 2020Monica Frawley (1954-2020) was one of Ireland's best-loved and most respected theatre designers. For more than three decades her set and costume designs illuminated and defined new directions in Ir...![]()
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Eve PATTEN, Éditeur scientifique ; Claire CONNOLLY, Directeur de publication ; Marjorie HOWES, Directeur de publication | Cambridge : Cambridge University Press | 2020![]()
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Eric FALCI, Éditeur scientifique ; Paige REYNOLDS, Éditeur scientifique ; Claire CONNOLLY, Directeur de publication ; Marjorie HOWES, Directeur de publication | Cambridge : Cambridge University Press | 2020![]()
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Anne GOARZIN, Éditeur scientifique ; Maria PARSONS, Éditeur scientifique | Berne : Peter Lang | Reimagining Ireland | 2020![]()
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Patrick LONERGAN, Directeur de publication ; Anne ENRIGHT, Préfacier, etc. | Londres : Methuen Drama | 2020![]()
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Olwen FOUERE, Personne interviewée ; Pat MURPHY, Personne interviewée ; Alexandra SLABY, Intervieweur ; Luke DODD, Intervieweur | 2020Sainte Brigid est, avec Patrick et Columba, l’un des saints patrons de l’Irlande. Sa fête, le 1er février, est la traduction chrétienne d’Imbolc, célébration païenne qui marquait le début du printe...![]()
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Throughout his long and varied playwriting career, Frank McGuinness has made extensive use of music from a plurality of genres. Music plays a variety of roles in the plays, supporting and enriching...![]()
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This article explores the gender politics of a neglected one-act play by Teresa Deevy, first staged at the Abbey in 1931, that revolves around the young female protagonist's recollection of a conve...![]()
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Lynne PARKER, Personne interviewée ; Eleanor METHVEN, Intervieweur | 2019Il y a trente-cinq ans, Lynne Parker cofondait Rough Magic, l’une des compagnies théâtrales les plus appréciées et réputées d’Irlande. Elle nous offre un aperçu captivant de son travail de directri...![]()
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For many philosophical thinkers since Thomas More's Utopia, the idea of a perfect human society has been aporetic – present in the imagination, yet beyond existent reality. The atrocities of the 20...![]()
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Lia MILLS, Auteur ; Celia DE FREINE, Auteur |Celia de Fréine is a multi-award winning poet, playwright, screenwriter and librettist, who also writes essays and fiction in both English and Irish. She has published eight collections of poetry, ...![]()
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This article analyses how Micheál macLíammóir’s Diarmuid and Gráinne (1928) and An Philibín’s Tristram and Iseult (1929) reimagine the function of mythology in the Free State by infusing their dram...![]()
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Dancing at Lughnasa has been widely discussed as a memory play. Critics frequently analyze the way Michael's narration shapes the story he tells of five unmarried sisters living together in 1930's ...![]()
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This article reads Panti’s Noble Call at the Abbey theatre on 1 February 2014 in the light of Didier Eribon’s work on the experience of insult as constitutive of gay subjectivity. However, it goes ...![]()
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Martin McDonagh's Hangmen (2015) is concerned with the moral question of justice. Set in a northern English pub run by a former hangman, the play's action takes place in 1965, on the day capital pu...![]()
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James MORAN, Auteur |Kate O'Brien initially made her literary reputation as a dramatist rather than a novelist. Her debut play Distinguished Villa (1926) won acclaim in London when first produced onstage, and critics c...![]()
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Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexual...![]()
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Lian BELL, Auteur | 2018Événement enregistré dans le cadre de la programmation culturelle du CCI. La scénographe et directrice artistique Lian Bell évoque le grand succès de la campagne pour l’égalité des femmes dans le ...![]()
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Accepted theatre history awards Sir Tyrone Guthrie a singular position of influence on Brian Friel's early career. But hundreds of documents newly discovered in BBC archives reveal that Belfast rad...![]()
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Beckett's Ill Seen Ill Said begins with the protagonist in a position where ‘she sees Venus rise followed by the sun.’ This opening indicates the direct relationship between the narrative and astro...![]()
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This article discusses Beckett's and Friel's interest in waiting in the context of Jacques Derrida's notions of ‘messianism’ and the ‘messianic’. Beckett's Waiting for Godot and Friel's Freedom of ...![]()
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This article concerns the Belfast dramatist Owen McCafferty (1961–) and his play Quietly, which debuted at the Abbey's Peacock Theatre in November 2012. Considering antecedents in McCafferty's earl...![]()
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Yoko SATO, Auteur |W.B. Yeats intended The Cat and the Moon to be a Japanese ‘Kiogen’, a farce or comedy presented between two Noh plays or within a single Noh play. In the inner drama of The Cat and the Moon, miracl...![]()
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Au sein d'une carrière marquée par la performance, Tania Bruguera met en scène Endgame d'après Fin de partie de Samuel Beckett. Une oeuvre dont la portée politique interroge la transgression du pou...![]()
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This essay explores how the notion of ‘parallel games’ works to queer memory in two productions of Northern Ireland's first publicly funded gay theatre company, TheatreofplucK, led by artistic dire...![]()
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Performing Trauma in Post-conflict Northern Ireland : Ethics, Representation and the Witnessing Body
This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of n...![]()
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This paper addresses William Butler Yeats’s dramatisation of his life-long interest in the invisible realm and an ideal Irish aristocracy in his five Cuchulain plays. I wish to illustrate how Yeats...![]()
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Una KAVANAGH, Auteur ; Louise LOWE, Auteur |![]()
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Linda ANDERSON, Éditeur scientifique ; Dawn Miranda SHERRATT-BADO, Éditeur scientifique | Stillorgan : New Island | 2017![]()
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Anne ETIENNE, Éditeur scientifique ; Thierry DUBOST, Éditeur scientifique | Basingstoke : Palgrave Macmillan | 2017![]()
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Introduction: An Underground Theatre chapter 1: Unlikely Iconoclast: Mairead Ni Ghrada (1896-1971) chapter 2: A Northern Voice: Seamus O Neill (1910-1981) chapter 3: A Theatre of Ideas: Eoghan O...![]()
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Sonya KELLY, Auteur ; Noni STAPLETON, Auteur ; Margaret MCAULIFFE, Auteur | Londres : Methuen Drama | 2017![]()
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Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", wa...![]()
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This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of...![]()
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This article examines Celia de Fréine’s re-imagining of Brian Merriman’s canonic text The Midnight Court/Cúirt an Mheán Oíche. Through textual and contextual analysis of specific extracts of the te...![]()
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1 Shaw and the Rise of Reverse Snobbery 2 Shaw and the Irish Diaspora 3 Shaw and Irish Anglican Preoccupations 4 Shaw and the Stage Englishman in Irish Literature![]()
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Dermot HEALY, Auteur ; Keith HOPPER, Éditeur scientifique ; Neil MURPHY, Éditeur scientifique | Dublin : Dalkey Archive Press | 2016![]()
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Fintan O'TOOLE, Éditeur scientifique ; Catherine MARSHALL, Éditeur scientifique ; Eibhear WALSHE, Éditeur scientifique | Dublin : Royal Irish Academy | 2016![]()
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Nicholas GRENE, Éditeur scientifique ; Christopher MORASH, Éditeur scientifique | Oxford : Oxford University Press | 2016Part I Nineteenth-Century Legacies Part II Theatre and Nation Part III Models and Influences Part IV Revolution and Beyond Part V Performance 1 Part VI Contesting Voices Part VII The New Revi...![]()
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Estelle EPINOUX, Éditeur scientifique ; Frank HEALY, Éditeur scientifique | Newcastle upon Tyne : Cambridge Scholars Publishing | 2016Part I: Conflicts and Reconciliations: Past and Present Shoulder to Shoulder: The Co-existence of Truths in the “Theatre of Witness” - David Grant Quietly (2012), by Owen McCafferty: Towards a ...![]()
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Claire POINSOT, Auteur | 2016![]()
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Pierre LONGUENESSE, Auteur |Dans The Dreaming of the Bones, écrit sous le coup des événements de Pâques 1916 à Dublin, Yeats met en scène, jouant du modèle du Nô, un jeune insurgé en fuite, confronté à deux fantômes, à mi-che...![]()
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Neil MURPHY, Éditeur scientifique ; Keith HOPPER, Éditeur scientifique | Dublin : Dalkey Archive Press | 2016![]()
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Benedicte SEYNHAEVE, Auteur ; Raphaël INGELBIEN, Auteur |Several studies have tried to answer the question ‘where is Ireland in "The Tempest"?’, while others have assessed Ireland's sense of its own postcoloniality through Irish writers' engagement with ...![]()
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In this interview, conducted in the Summer of 2014, Frank McGuinness talks about his introduction to Old and Middle English as a student in University College Dublin and its influence on his writin...![]()
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While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must...![]()
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Sean O'Casey's later plays, written between the 1930s and the early 1960s, are at the centre of Shivaun O'Casey's intimate memory of the theatrical family's life, their cultural influences, daring,...![]()
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In this wide ranging interview between Druid's Artistic Director Garry Hynes and Nicholas Grene, she speaks of her work on the two marathon productions, DruidSynge in 2004–6 and DruidMurphy in 2012...![]()
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Clearing away all assumptions of familiarity with Shakespeare's play, this essay examines "Macbeth" with penetrating clarity and passionate understanding. Structure, plot, and dark magic are interw...![]()
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Christopher Murray, Philip Edwards, and Rebecca Steinburger have examined the ways in which the Irish Dramatic Revival drew on the example and plays of Shakespeare. Their emphasis falls on Yeats an...![]()
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This essay explores theatre's power to take an audience beyond the veil of civilization into an encounter with the human as monstrous. Through the mythology and theatre of the Greeks, through Shake...![]()
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Ian R. WALSH, Auteur ; Rhona TRENCH, Auteur ; Lionel PILKINGTON, Auteur ; Eamonn JORDAN, Auteur ; Paige REYNOLDS, Auteur ; Lionel PILKINGTON, Auteur |Following on from a roundtable discussion that took place at the 2013 Conference of the Irish Society of Theatre Research at the University of London, Birkbeck, this essay presents reflections on t...![]()
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Anna MCMULLAN, Auteur ; Trish MCTIGHE, Auteur |This essay offers some glimpses of the parallel histories of Beckett and Irish scenography, and explores how they have impacted on each other. In particular, we investigate the intersections betwee...![]()
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In 1965 Tom Murphy was commissioned by BBC Television to write a play, "The Patriot Game", to be broadcast in the following year on the occasion of the fiftieth anniversary of the Easter Rising. Ho...![]()
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‘Yeats and Japan: The Dreaming of the Bones’ first investigates how the Noh came to influence Yeats, then analyzes Yeats's "Four Plays for Dancers", focusing on "The Dreaming of the Bones", and exp...![]()
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Maire Nic Shiubhlaig, Peadar Kearney, Helena Molony, Barney Murphy, Ellen Busshell, Sean Connolly, Arthur shields before, during and after the Easter Rising of 1916![]()
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Patrick LONERGAN, Auteur |This article explores the theme of crisis in three plays by Enda Walsh: Penelope (2010), The New Electric Ballroom (2008) and The Walworth Farce (2006). By showing how Penelope directly addressed t...![]()
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Swim-Two-Birds ; Le Troisième policier ; La Chienlit ; Le Pleure-Misère ; L'Archiviste de Dublin ; The Best of Myles ; Le Frangin![]()
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Mary P. CAULFIELD, Éditeur scientifique ; Ian R. WALSH, Éditeur scientifique | Dublin : Carysfort Press | 2015![]()
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Introduction. Oscar Wilde, The Importance of Being Earnest ; Emily Eells "Sincere and Studied Triviality": The Importance of Being Earnest as an Aestheticist Comedy of Manners ; Petra Dierkes-Th...![]()
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Kevin BARRY, Directeur de publication ; Olivia SMITH, Directeur de publication | Ballinafad : Curlew Editions | 2015Contributors and interviewees include: Lenny Abrahamson, Colin Barrett, Seanie Barron, Kevin Barry, Sara Baume, Claire-Louise Bennett, John Butler, Maud Cotter, Rob Doyle, Grace Dyas, Jeppe Gjervig...![]()
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Première partie : Une utopie théâtrale Chapitre 1. Une dramaturgie du rite : 1. Yeats et la religion 2. Art, religion, et rituel Chapitre 2. La voix au coeur du rituel : 1. La parole magique, d...![]()
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This essay argues that an assessment of the Beckettian qualities of McGahern's work should take into account the recent scholarship which has explored Beckett's absorption in philosophy. The author...![]()
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"Brendan at the Chelsea", which started life at the National Theatre Studio, was one of the first productions in the opening season at the newly rebuilt Lyric Theatre, Belfast in 2011. The Lyric pr...![]()
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‘New York humour is largely an Irish-Jewish creation’ (Ulick O'Connor, "Brendan Behan", 1970). Brendan Behan, of course, was not a professional ‘stand-up comedian’ in the strictest sense of the ter...![]()
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In Brendan Behan's "An Giall" and "The Hostage", song and dance establish atmosphere and character, comment ironically on the action, relate the characters to one another in a union of society's ou...![]()
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This essay examines Brendan Behan's evolution as a dramatist, linking him to the tradition of O'Casey's urban theatre, particularly "Juno and the Paycock", and emphasising his closeness to the expe...![]()
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The Ginger Ale Boy; Disco Pigs; Misterman; bedbound; How These Desperate Men Talk; The Small Things; Lynndie's Gotta Gun; Chatroom![]()
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The Walworth Farce; The New Electric Ballroom; Penelope; My Friend Duplicity; Room 303; Ballyturk![]()
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Charlotte MCIVOR, Éditeur scientifique ; Matthew SPANGLER, Éditeur scientifique | Cork : Cork University Press | 2014Eight plays and six interviews with migrant and Irish-born theatre artists who are producing work at the intersection of interculturalism and inward-migration in Ireland during the first decades of...![]()
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Titre original : All That Falls![]()
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Ben BARNES, Directeur de publication ; John BANVILLE, Auteur ; Eoin COLFER, Auteur ; Billy ROCHE, Auteur ; Colm TOIBIN, Auteur | Dublin : Carysfort Press | 2014WexFour réunit quatre pièces : "Prince Charming and the Dame" de John Banville, "My Real Life" de Eoin Colfer, "The Dog and Bone" de Billy Roche, et "Erosion" de Colm Toibin![]()
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Patrick PEARSE, Auteur ; Eugene MCNULTY, Éditeur scientifique ; Roisin NI GHAIRBHI, Éditeur scientifique | Sallins : Irish Academic Press | 2013![]()
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Flann O'BRIEN, Auteur ; Daniel Keith JERNIGAN, Éditeur scientifique | Londres : Dalkey Archive Press | 2013Faustus Kelly ; Thirst (short and long versions) ; Rhapsody in Stephen's Green : the Insect Play ; The Knife ; The Handsome Carvers ; A Moving Tale : A Dublin Hallucination ; The Boy From Ballytear...![]()
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Christine HUGUET, Éditeur scientifique ; Fabienne DABRIGEON-GARCIER, Éditeur scientifique | Amsterdam : Rodopi | 2013![]()
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Thierry DUBOST, Éditeur scientifique ; Alexandra SLABY, Éditeur scientifique | Caen : Presses Universitaires de Caen | 2013Actes du colloque "Irish music studies" tenu à Caen en septembre 2008. Accompagné d'un DVD (3h14) proposant les enregistrements vidéo des performances musicales de Michéal O Suilleabhain, Tommy San...![]()
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Volume 1: Safety Announcement by Joseph O'Connor ; Poster Boy by Antonia Hart ; White Food by Ardal O'Hanlon ; Beat Him Like a Badger by Rosaleen McDonagh ; The King's Shilling by Mark Hennessy ; D...![]()
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The Weir ; Dublin Carol ; Port Authority ; Come On Over![]()
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Karen O'BRIEN, Auteur ; David G. FREY FELLOW, Auteur |In Marina Carr's Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of femal...![]()
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Patrick MCCABE, Auteur ; Séverine MAGOIS, Traducteur | Saint-Gély-du-Fesc : Editions espaces 34 | 2012![]()
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Theatre programme with text of play. Adaptation of the novel The Picture of Dorian Gray for the stage![]()
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Karen O'BRIEN, Auteur ; David G. FREY FELLOW, Auteur |Bredan Kennelly's Medea and Marina Carr's By the Bog of Cats are particularly striking versions of Euripides' Medea for their representation of Medea's rage in light of sociopolitical r...![]()
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Michelle KENNEDY, Auteur |Through a study of female mentally ill characters in the drama of Brian Friel, this article explores the links between gender, societal pressures and repression which dominate the attitude towards ...![]()
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Lilian CHAMBERS, Éditeur scientifique ; Eamonn JORDAN, Éditeur scientifique | Dublin : Carysfort Press | 2012![]()
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Sandrine BRISSET, Éditeur scientifique ; Noreen DOODY, Éditeur scientifique | Dublin : Irish Academic Press | 2012![]()
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Pierre LONGUENESSE, Auteur ; Carle BONAFOUS-MURAT, Préfacier, etc. | Rennes : Presses Universitaires de Rennes | 2012![]()
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Rum and Vodka ; The Good Thief ; This Lime Tree Bower ; St Nicholas![]()
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The recording of this one-man show originated by Jack, is a guided tour through a semi-fictional Cavan landscape. It features the picaresque doings of one P.J. Galligan, local entrepreneur, Greek s...![]()
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Hélène LECOSSOIS, Auteur |Le trauma que The Mai et By the Bog of Cats s'efforcent de représenter est celui de sujets dont l'avènement n'a jamais eu lieu, de sujets condamnés à vivre dans la hantise de l'individuation. La dr...![]()
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DVD d'accompagnement : ce DVD regroupe les interventions d'Anne Etienne et de Donal Gallagher lors du colloque sur l'adaptation en Irlande organisé par le Groupe de recherche en études irlandaises ...![]()
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010![]()
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010![]()
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010![]()
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Chu HE, Auteur |This paper is about the colonial hybridity in Brian Friel's "Translations", which goes under the surface of the loss of Gaelic civilization due to English cultural colonization, and examines the co...![]()
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Oscar WILDE, Auteur ; Pascal AQUIEN, Préfacier, etc. | Paris : Le Livre de Poche | La Pochothèque | 2010Poèmes : Poèmes choisis ; La Maison de la courtisane ; La Sphinge ; L'Artiste ; Le Faiseur de bien ; Le Disciple ; Le Maître ; La Salle du jugement ; Le Maître de sagesse ; La Ballade de la geôle d...![]()
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010![]()
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Bernadette SWEENEY, Éditeur scientifique ; Marie KELLY, Éditeur scientifique | Dublin : Carysfort Press | 2010![]()
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The Vicar of Wakefield ; The Cherry Orchard ; The Drunkard ; The Last Days of a Reluctant Tyrant![]()
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Jacqueline HILL, Auteur |This paper examines the treatment of Ireland and World War One in Observe the Sons of Ulster Marching Towards the Somme, one of Frank McGuinness's best-known plays, and among the leading Irish hist...![]()
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Contient : Anraith Neantoige - Coirin Na dTonn - Tearmann![]()
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Adrian FRAZIER, Auteur |Essay by Adrian Frazier: The first debate over Yeats's most disturbing play![]()
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John C. GREENE, Auteur |This article attempts to disentangle and reconstruct the vicious legal imbroglio that took place in 1789-90 between Richard Daly, the important Dublin theatre manager, and John Magee, the publisher...![]()
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Trish MC ADAM, Metteur en scène, réalisateur ; Donal O'KELLY, Acteur | 2009Documentaire sur Donal O'Kelly, célèbre acteur et auteur de théâtre irlandais, qui a par le passé présenté ses spectacles "Catalpa" et "Running Beast" au Centre Culturel Irlandais![]()
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Pierre LONGUENESSE, Auteur |L'analyse des rapports entre Yeats et la musique, tels qu'ils sont révélés par les partitions écrites pour son théâtre, reste fragmentaire, incomplète, et peu problématisée: la critique yeatsienne ...![]()
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