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Documents disponibles dans cette catégorie (621)

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Moonyoung HONG, Auteur |The paper examines Tom Murphy’s play The Wake and the significance of its staging as part of the Abbey Theatre’s 1916 centenary “Waking the Nation” programme. The play critiques the process by which various elements of capitalism – in particular[...]![]()
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David CLARE, Directeur de publication ; Fiona McDonagh, Directeur de publication ; Justine Nakase, Directeur de publication | Liverpool : Liverpool University Press | 2021Nouveauté
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David CLARE, Directeur de publication ; Fiona McDonagh, Directeur de publication ; Justine Nakase, Directeur de publication | Liverpool : Liverpool University Press | 2021Nouveauté
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The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply [...]![]()
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This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932), Deevy’s first twoAbbey productions, The Reape[...]![]()
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Thierry DUBOST, Auteur |The Secret Fall of Constance Wilde, dont la première se déroula à l’Abbey Theatre en 1997, trouve son origine dans une commande du théâtre national visant à célébrer le centenaire de la sortie de prison d’Oscar Wilde. Cette œuvre singulière (Tho[...]![]()
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This article investigates how William Butler Yeats’s interest in, and professional engagement with, modern dance affected the dramaturgical composition of his plays. Instead of focusing on individual dancers’contributions to the dance plays’ pre[...]![]()
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Lisa FITZPATRICK, Auteur |This essay draws upon the work of Judith Butler, Sara Ahmed, and Germaine Greer to consider the #MeToo movement and its reflection in the work of the author’s students and the scandal at Dublin’s Gate Theatre. Taking competing conceptions of fre[...]![]()
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Eva URBAN, Auteur |The 2019 Lyric Theatre and Dublin Theatre Festival co-production of J. M. Synge’s The Playboy of the Western World (1907), directed by Oonagh Murphy, encouraged an abstract reading of the play in new political contexts. Set in the 1980s at the D[...]![]()
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Monica FRAWLEY, Auteur | 2020Monica Frawley (1954-2020) was one of Ireland's best-loved and most respected theatre designers. For more than three decades her set and costume designs illuminated and defined new directions in Irish theatre, opera and dance. She worked with al[...]![]()
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Eve PATTEN, Éditeur scientifique ; Claire CONNOLLY, Directeur de publication ; Marjorie HOWES, Directeur de publication | Cambridge : Cambridge University Press | 2020![]()
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Eric FALCI, Éditeur scientifique ; Paige REYNOLDS, Éditeur scientifique ; Claire CONNOLLY, Directeur de publication ; Marjorie HOWES, Directeur de publication | Cambridge : Cambridge University Press | 2020