Centre Culturel Irlandais

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Centre Culturel Irlandais

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Centre Culturel Irlandais


 

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Opening hours

Monday to Friday: 2pm - 6pm
Late opening on Wednesday until 8pm
Closed at weekends and on bank holidays

Contacts

Carole Jacquet
Head of Libraries and Archives

Marion Mossu
Libraries and Archives Officer

Tel : 00 33 1 58 52 10 83 / 33

Where to find us ?

Beside the Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Metros : M10 Cardinal Lemoine / M7 Place Monge
Buses : 84, 89, 21, 27

Map

Opening hours

Monday to Friday: 2pm - 6pm
Late opening on Wednesday until 8pm
Closed at weekends and on bank holidays

Contacts

Carole Jacquet
Head of Libraries and Archives

Marion Mossu
Libraries and Archives Officer

Tel : 00 33 1 58 52 10 83 / 33

Where to find us ?

Beside the Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Metros : M10 Cardinal Lemoine / M7 Place Monge
Buses : 84, 89, 21, 27

Map

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> THEATRE

THEATRE

Documents disponibles dans cette catégorie (624)

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Muslim Integration and the Hijabi Monologues Ireland

Article

In 2012 and 2013, two productions of the Hijabi Monologues, an American theatre project featuring the stories of Muslim women, were staged in Ireland. This essay considers their relationship to state-sponsored and community-led interculturalism [...]
(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre

Article

Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and entertainment with serious cultural critique, th[...]
Waking (for) the Nation: Immaterial Materialism and the Feminine Body in Tom Murphy’s The Wake (1998)

Article

The paper examines Tom Murphy’s play The Wake and the significance of its staging as part of the Abbey Theatre’s 1916 centenary “Waking the Nation” programme. The play critiques the process by which various elements of capitalism – in particular[...]
‘A disoriented vision of...fact’: Brian Friel, Francis Bacon, and Faith Healer

Article

The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply [...]
‘It was then I knew life’: Political Critique and Moral Debate in Teresa Deevy’s Temporal Powers(1932)

Article

This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932), Deevy’s first twoAbbey productions, The Reape[...]
La stratégie auctoriale de Thomas Kilroy dans l’écriture de The Secret Fall of Constance Wilde

Article

The Secret Fall of Constance Wilde, dont la première se déroula à l’Abbey Theatre en 1997, trouve son origine dans une commande du théâtre national visant à célébrer le centenaire de la sortie de prison d’Oscar Wilde. Cette œuvre singulière (Tho[...]
W.B. Yeats the Choreographer: Composition in the Manuscripts of At the Hawk’s Well and The Only Jealousy of Emer

Article

This article investigates how William Butler Yeats’s interest in, and professional engagement with, modern dance affected the dramaturgical composition of his plays. Instead of focusing on individual dancers’contributions to the dance plays’ pre[...]
Contemporary Feminist Protest in Ireland: #MeToo in Irish Theatre

Article

This essay draws upon the work of Judith Butler, Sara Ahmed, and Germaine Greer to consider the #MeToo movement and its reflection in the work of the author’s students and the scandal at Dublin’s Gate Theatre. Taking competing conceptions of fre[...]
Spectres of Fiction

Article

The 2019 Lyric Theatre and Dublin Theatre Festival co-production of J. M. Synge’s The Playboy of the Western World (1907), directed by Oonagh Murphy, encouraged an abstract reading of the play in new political contexts. Set in the 1980s at the D[...]