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Biographical essay by Barry Houlihan on Carolyn Swift![]()
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Kate MCCARTHY, Auteur ; Una KEALY, Auteur |This essay explores a unique set of documents, comprising letters and postcards, sent by Teresa Deevy to her friend and fellow Waterford playwright, James Cheasty. To date, Deevy’s correspondence h...![]()
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Martin G. MOLONY, Auteur |This article outlines the popularity – and financial success – of an eighteenth-century Dublin puppet theatre that threatened mainstream theatres of the time. Randall Stretch’s puppet theatre, in D...![]()
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Hélène LECOSSOIS, Auteur |Entretien avec Sarah Jane Scaife, directrice artistique de Company SJ![]()
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Lionel PILKINGTON, Auteur |« Le théâtre de la perturbation » : entretien avec Olwen Fouéré![]()
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In 2012 and 2013, two productions of the Hijabi Monologues, an American theatre project featuring the stories of Muslim women, were staged in Ireland. This essay considers their relationship to sta...![]()
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Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and ...![]()
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Jim CULLETON, Auteur ; Emma RADLEY, Auteur |![]()
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Moonyoung HONG, Auteur |The paper examines Tom Murphy’s play The Wake and the significance of its staging as part of the Abbey Theatre’s 1916 centenary “Waking the Nation” programme. The play critiques the process by whic...![]()
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David CLARE, Directeur de publication ; Fiona McDonagh, Directeur de publication ; Justine Nakase, Directeur de publication | Liverpool : Liverpool University Press | 2021![]()
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David CLARE, Directeur de publication ; Fiona McDonagh, Directeur de publication ; Justine Nakase, Directeur de publication | Liverpool : Liverpool University Press | 2021![]()
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The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in way...