Centre Culturel Irlandais



Mot de passe oublié ?

Portail des collections

Centre Culturel Irlandais

Accueil

Sélection de la langue

Adresse

Centre Culturel Irlandais


 

contact

Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Mots-clés

> THEATRE

THEATRE

   Tris disponiblesAjouter les résultats au panier
  Affiner la recherche
St Brigid's Day : conversation avec Olwen Fouéré et Pat Murphy

Evénement enregistré

Olwen FOUERE, Personne interviewée ; Pat MURPHY, Personne interviewée ; Alexandra SLABY, Intervieweur ; Luke DODD, Intervieweur | 2020
Sainte Brigid est, avec Patrick et Columba, l’un des saints patrons de l’Irlande. Sa fête, le 1er février, est la traduction chrétienne d’Imbolc, célébration païenne qui marquait le début du printemps et honorait Brigid, déesse celtique associée[...]
McGuinness's Music

Article

Throughout his long and varied playwriting career, Frank McGuinness has made extensive use of music from a plurality of genres. Music plays a variety of roles in the plays, supporting and enriching dramatic themes and moods. The music of Irish E[...]
She done Coriolanus at the Convent

Article

This article explores the gender politics of a neglected one-act play by Teresa Deevy, first staged at the Abbey in 1931, that revolves around the young female protagonist's recollection of a convent production of Shakespeare's "Coriolanus" in w[...]
Lynne Parker: Rough Magic in the Making

Evénement enregistré

Lynne PARKER, Personne interviewée ; Eleanor METHVEN, Intervieweur | 2019
Il y a trente-cinq ans, Lynne Parker cofondait Rough Magic, l’une des compagnies théâtrales les plus appréciées et réputées d’Irlande. Elle nous offre un aperçu captivant de son travail de directrice artistique. L’occasion de revenir sur le parc[...]
Brian Friel and Theodor W. Adorno

Article

For many philosophical thinkers since Thomas More's Utopia, the idea of a perfect human society has been aporetic – present in the imagination, yet beyond existent reality. The atrocities of the 20th century convinced the philosopher and musicol[...]
In Full Voice

Article

Celia de Fréine is a multi-award winning poet, playwright, screenwriter and librettist, who also writes essays and fiction in both English and Irish. She has published eight collections of poetry, including three dual-language editions with Arle[...]
‘A lament for the Fianna in a time when Ireland shall be changed’

Article

This article analyses how Micheál macLíammóir’s Diarmuid and Gráinne (1928) and An Philibín’s Tristram and Iseult (1929) reimagine the function of mythology in the Free State by infusing their dramatic representations of these legendary marriage[...]
Memory that owes nothing to fact

Article

Dancing at Lughnasa has been widely discussed as a memory play. Critics frequently analyze the way Michael's narration shapes the story he tells of five unmarried sisters living together in 1930's Donegal. Fewer critics, however, focus on Michae[...]
The Queen’s two bodies

Article

This article reads Panti’s Noble Call at the Abbey theatre on 1 February 2014 in the light of Didier Eribon’s work on the experience of insult as constitutive of gay subjectivity. However, it goes on to argue that Panti’s narrated experience of [...]
There's ropes and there's ropes

Article

Martin McDonagh's Hangmen (2015) is concerned with the moral question of justice. Set in a northern English pub run by a former hangman, the play's action takes place in 1965, on the day capital punishment is abolished in Britain. Combining (met[...]
Kate O'Brien in the Theatre

Article

Kate O'Brien initially made her literary reputation as a dramatist rather than a novelist. Her debut play Distinguished Villa (1926) won acclaim in London when first produced onstage, and critics compared her with Seán O'Casey. However, O'Brien'[...]

Livre

Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexuality 4 Bachelors Gay: The Death and Resurrection[...]