Centre Culturel Irlandais

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Centre Culturel Irlandais

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Centre Culturel Irlandais


 

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Opening hours

Monday to Friday: 2pm - 6pm
Late opening on Wednesday until 8pm
Closed at weekends and on bank holidays

You will need to present a pass sanitaire

Contacts

Carole Jacquet
Head of Libraries and Archives

Marion Mossu
Libraries and Archives Officer

Tel : 00 33 1 58 52 10 83 / 33

Where to find us ?

Beside the Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Metros : M10 Cardinal Lemoine / M7 Place Monge
Buses : 84, 89, 21, 27

Map

Opening hours

Monday to Friday: 2pm - 6pm
Late opening on Wednesday until 8pm
Closed at weekends and on bank holidays

You will need to present a pass sanitaire

Contacts

Carole Jacquet
Head of Libraries and Archives

Marion Mossu
Libraries and Archives Officer

Tel : 00 33 1 58 52 10 83 / 33

Where to find us ?

Beside the Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Metros : M10 Cardinal Lemoine / M7 Place Monge
Buses : 84, 89, 21, 27

Map

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Documents disponibles dans cette catégorie (393)

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Book

Volume 1: Safety Announcement by Joseph O'Connor ; Poster Boy by Antonia Hart ; White Food by Ardal O'Hanlon ; Beat Him Like a Badger by Rosaleen McDonagh ; The King's Shilling by Mark Hennessy ; Don't Take It Personally by Rachel Fehily ; Sure [...]
Ghostly Surrogates and Unhomely Memories

Article

In Marina Carr's Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of female experience. Through application of Joseph R[...]

Book

Oscar WILDE, Author ; Neil BARTLETT, Adapter | Londres : Oberon Books | 2012
Theatre programme with text of play. Adaptation of the novel The Picture of Dorian Gray for the stage
Re-envisioning "Woman"

Article

Bredan Kennelly's Medea and Marina Carr's By the Bog of Cats are particularly striking versions of Euripides' Medea for their representation of Medea's rage in light of sociopolitical realities within Ireland. Both versions [...]