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Patrick LONERGAN, Directeur de publication ; Anne ENRIGHT, Préfacier, etc. | Londres : Methuen Drama | 2020
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This article explores the gender politics of a neglected one-act play by Teresa Deevy, first staged at the Abbey in 1931, that revolves around the young female protagonist's recollection of a convent production of Shakespeare's "Coriolanus" in w[...]
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Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexuality 4 Bachelors Gay: The Death and Resurrection[...]
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Performing Trauma in Post-conflict Northern Ireland : Ethics, Representation and the Witnessing Body
This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of nationalism and unionism, marginalised in psychoa[...]
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Linda ANDERSON, Éditeur scientifique ; Dawn Miranda SHERRATT-BADO, Éditeur scientifique | Stillorgan : New Island | 2017
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Sonya KELLY, Auteur ; Noni STAPLETON, Auteur ; Margaret MCAULIFFE, Auteur | Londres : Methuen Drama | 2017Article
Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", was screened by RTÉ in 1988, "The Contest" became [...]Article
This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of confinement which are mentioned in the play, ar[...]
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Dermot HEALY, Auteur ; Keith HOPPER, Éditeur scientifique ; Neil MURPHY, Éditeur scientifique | Dublin : Dalkey Archive Press | 2016
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Benedicte SEYNHAEVE, Auteur ; Raphaël INGELBIEN, Auteur |Several studies have tried to answer the question ‘where is Ireland in "The Tempest"?’, while others have assessed Ireland's sense of its own postcoloniality through Irish writers' engagement with Shakespeare's most ‘colonial’ play. This essay a[...]Article
In this interview, conducted in the Summer of 2014, Frank McGuinness talks about his introduction to Old and Middle English as a student in University College Dublin and its influence on his writings. Particular attention is given to his enormou[...]Article
While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must catch up with this ‘deprovincialized’ drama, dr[...]Article
Using the Theatre of Witness production "I Once Knew a Girl" as its focal point, this essay examines the operation of affect in performances that address Northern Ireland's history of civil conflict. "I Once Knew a Girl" seeks to capture women's[...]Article
In this wide ranging interview between Druid's Artistic Director Garry Hynes and Nicholas Grene, she speaks of her work on the two marathon productions, DruidSynge in 2004–6 and DruidMurphy in 2012–13. She explains the origins of the idea of doi[...]Article
Clearing away all assumptions of familiarity with Shakespeare's play, this essay examines "Macbeth" with penetrating clarity and passionate understanding. Structure, plot, and dark magic are interwoven as McGuinness follows the brutal ascent to [...]Article
In 1965 Tom Murphy was commissioned by BBC Television to write a play, "The Patriot Game", to be broadcast in the following year on the occasion of the fiftieth anniversary of the Easter Rising. However, it was finally not made as the estimated [...]
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Introduction. Oscar Wilde, The Importance of Being Earnest ; Emily Eells
"Sincere and Studied Triviality": The Importance of Being Earnest as an Aestheticist Comedy of Manners ; Petra Dierkes-Thrun
A Close Reading of The Importance of B[...]Article
"Brendan at the Chelsea", which started life at the National Theatre Studio, was one of the first productions in the opening season at the newly rebuilt Lyric Theatre, Belfast in 2011. The Lyric production toured to New York, Belfast, Dublin, an[...]Article
A dance for all the outcasts : Class and Postcolonialism in Brendan Behan's An Giall and The Hostage
As Susan Bassnett and Harish Trivedi argue, ‘translation does not happen in a vacuum, but in a continuum; it is not an isolated act, it is part of an ongoing process of intercultural transfer’. In understanding Brendan Behan's most celebrated an[...]Article
In Brendan Behan's "An Giall" and "The Hostage", song and dance establish atmosphere and character, comment ironically on the action, relate the characters to one another in a union of society's outcasts, and valorize life, love, healthy and ope[...]
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The Ginger Ale Boy; Disco Pigs; Misterman; bedbound; How These Desperate Men Talk; The Small Things; Lynndie's Gotta Gun; Chatroom
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The Walworth Farce; The New Electric Ballroom; Penelope; My Friend Duplicity; Room 303; Ballyturk
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Charlotte MCIVOR, Éditeur scientifique ; Matthew SPANGLER, Éditeur scientifique | Cork : Cork University Press | 2014Eight plays and six interviews with migrant and Irish-born theatre artists who are producing work at the intersection of interculturalism and inward-migration in Ireland during the first decades of the 21st Century.
Plays covered: Cave Dwell[...]
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Titre original : All That Falls
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Ben BARNES, Directeur de publication ; John BANVILLE, Auteur ; Eoin COLFER, Auteur ; Billy ROCHE, Auteur ; Colm TOIBIN, Auteur | Dublin : Carysfort Press | 2014WexFour réunit quatre pièces : "Prince Charming and the Dame" de John Banville, "My Real Life" de Eoin Colfer, "The Dog and Bone" de Billy Roche, et "Erosion" de Colm Toibin
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Patrick PEARSE, Auteur ; Eugene MCNULTY, Éditeur scientifique ; Roisin NI GHAIRBHI, Éditeur scientifique | Sallins : Irish Academic Press | 2013
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Flann O'BRIEN, Auteur ; Daniel Keith JERNIGAN, Éditeur scientifique | Londres : Dalkey Archive Press | 2013Faustus Kelly ; Thirst (short and long versions) ; Rhapsody in Stephen's Green : the Insect Play ; The Knife ; The Handsome Carvers ; A Moving Tale : A Dublin Hallucination ; The Boy From Ballytearim ; The Time Freddie Retired ; Flight ; The Man[...]
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Volume 1: Safety Announcement by Joseph O'Connor ; Poster Boy by Antonia Hart ; White Food by Ardal O'Hanlon ; Beat Him Like a Badger by Rosaleen McDonagh ; The King's Shilling by Mark Hennessy ; Don't Take It Personally by Rachel Fehily ; Sure [...]
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The Weir ; Dublin Carol ; Port Authority ; Come On OverArticle
Karen O'BRIEN, Auteur ; David G. FREY FELLOW, Auteur |In Marina Carr's Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of female experience. Through application of Joseph R[...]
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Patrick MCCABE, Auteur ; Séverine MAGOIS, Traducteur | Saint-Gély-du-Fesc : Editions espaces 34 | 2012
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Theatre programme with text of play. Adaptation of the novel The Picture of Dorian Gray for the stageArticle
Karen O'BRIEN, Auteur ; David G. FREY FELLOW, Auteur |Bredan Kennelly's Medea and Marina Carr's By the Bog of Cats are particularly striking versions of Euripides' Medea for their representation of Medea's rage in light of sociopolitical realities within Ireland. Both versions [...]
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Colm KEEGAN, Auteur ; Kalle RYAN, Auteur ; Stephen James SMITH, Auteur | 2012
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Pierre LONGUENESSE, Auteur ; Carle BONAFOUS-MURAT, Préfacier, etc. | Rennes : Presses Universitaires de Rennes | 2012
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Rum and Vodka ; The Good Thief ; This Lime Tree Bower ; St Nicholas
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Hélène LECOSSOIS, Auteur |Le trauma que The Mai et By the Bog of Cats s'efforcent de représenter est celui de sujets dont l'avènement n'a jamais eu lieu, de sujets condamnés à vivre dans la hantise de l'individuation. La dramaturgie du traumatisme que Marina Carr met en [...]
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010
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Brian FRIEL, Auteur ; Alain DELAHAYE, Traducteur ; Martine PELLETIER, Préfacier, etc. | Paris : L'avant-scène théâtre | Collection des quatre-vents | 2010
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The Vicar of Wakefield ; The Cherry Orchard ; The Drunkard ; The Last Days of a Reluctant Tyrant
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Contient : Anraith Neantoige - Coirin Na dTonn - Tearmann
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Lucy CALDWELL, Auteur ; Séverine MAGOIS, Traducteur | Montreuil-sous-bois : Editions Théâtrales | 2008
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Jim CULLETON, Directeur de publication ; Gavin KOSTICK, Préfacier, etc. | Dublin : New Island | 2008Rosalind Haslett : Still ; Jim O'Hanlon : The Buddhist of Castleknock ; Gary Duggan : Monged ; Rodney Lee : The Gist of It ; Sean McLoughlin : Noah and the Tower Flower ; Roisin Ingle : Happy Endings ; Stella Feehily : Game ; Tara Dairman : Tara[...]
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Titre original : The Importance of Being Earnest
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J. M. SYNGE, Auteur ; Cyril CUSACK, Acteur ; Siobhan MCKENNA, Acteur | Dublin : Naxos AudioBooks | 2008
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FISHAMBLE, Acteur ; Sebastian BARRY, Auteur ; Mary MURRAY, Acteur ; Karl SHIELS, Acteur | Dublin : Fishamble | 2008L'histoire émouvante d'un mariage et d'une époque tous deux révolus. Jarnet et Joe y font le bilan de leur relation et de leur rupture, ainsi que de leur longue histoire d'amour avec la ville de Dublin. C'est un conte intime et héroïque sur le q[...]
