Centre Culturel Irlandais

Portal of collections

Centre Culturel Irlandais

Home

Home

Select language

Address

Centre Culturel Irlandais


 

contact

Opening hours

Monday to Friday: 2pm - 6pm
Late opening on Wednesday until 8pm
Closed at weekends and on bank holidays

You will need to present a pass sanitaire

Contacts

Carole Jacquet
Head of Libraries and Archives

Marion Mossu
Libraries and Archives Officer

Tel : 00 33 1 58 52 10 83 / 33

Where to find us ?

Beside the Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Metros : M10 Cardinal Lemoine / M7 Place Monge
Buses : 84, 89, 21, 27

Map

Opening hours

Monday to Friday: 2pm - 6pm
Late opening on Wednesday until 8pm
Closed at weekends and on bank holidays

You will need to present a pass sanitaire

Contacts

Carole Jacquet
Head of Libraries and Archives

Marion Mossu
Libraries and Archives Officer

Tel : 00 33 1 58 52 10 83 / 33

Where to find us ?

Beside the Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Metros : M10 Cardinal Lemoine / M7 Place Monge
Buses : 84, 89, 21, 27

Map

Descriptors

> PLAY

PLAY

Documents disponibles dans cette catégorie (393)

   Sort available Add the result to your basket
  Refine your search
She done Coriolanus at the Convent

Article

This article explores the gender politics of a neglected one-act play by Teresa Deevy, first staged at the Abbey in 1931, that revolves around the young female protagonist's recollection of a convent production of Shakespeare's "Coriolanus" in w[...]

Book

Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexuality 4 Bachelors Gay: The Death and Resurrection[...]
Performing Trauma in Post-conflict Northern Ireland

Article

This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of nationalism and unionism, marginalised in psychoa[...]
From Brigit to Bailegangaire

Article

Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", was screened by RTÉ in 1988, "The Contest" became [...]
Home, the Asylum, and the Workhouse in The Shadow of the Glen

Article

This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of confinement which are mentioned in the play, ar[...]
Doing her spiriting

Article

Several studies have tried to answer the question ‘where is Ireland in "The Tempest"?’, while others have assessed Ireland's sense of its own postcoloniality through Irish writers' engagement with Shakespeare's most ‘colonial’ play. This essay a[...]
I heard him in that ancient poem

Article

In this interview, conducted in the Summer of 2014, Frank McGuinness talks about his introduction to Old and Middle English as a student in University College Dublin and its influence on his writings. Particular attention is given to his enormou[...]
Deprovincializing Brian Friel's Drama in America, 2009 and 2014

Article

While American regional theatre has flourished for decades, hardly any critics with a national profile pay attention to it, but theatre critic Terry Teachout has recently argued that criticism must catch up with this ‘deprovincialized’ drama, dr[...]
Gender and Affect in Testimonial Performance

Article

Using the Theatre of Witness production "I Once Knew a Girl" as its focal point, this essay examines the operation of affect in performances that address Northern Ireland's history of civil conflict. "I Once Knew a Girl" seeks to capture women's[...]
An Interview with Garry Hynes

Article

In this wide ranging interview between Druid's Artistic Director Garry Hynes and Nicholas Grene, she speaks of her work on the two marathon productions, DruidSynge in 2004–6 and DruidMurphy in 2012–13. She explains the origins of the idea of doi[...]
Madness and Magic

Article

Clearing away all assumptions of familiarity with Shakespeare's play, this essay examines "Macbeth" with penetrating clarity and passionate understanding. Structure, plot, and dark magic are interwoven as McGuinness follows the brutal ascent to [...]
The Work of a Young Nationalist?

Article

In 1965 Tom Murphy was commissioned by BBC Television to write a play, "The Patriot Game", to be broadcast in the following year on the occasion of the fiftieth anniversary of the Easter Rising. However, it was finally not made as the estimated [...]

Book

Introduction. Oscar Wilde, The Importance of Being Earnest ; Emily Eells
"Sincere and Studied Triviality": The Importance of Being Earnest as an Aestheticist Comedy of Manners ; Petra Dierkes-Thrun
A Close Reading of The Importance of B[...]
Brendan at the Chelsea

Article

"Brendan at the Chelsea", which started life at the National Theatre Studio, was one of the first productions in the opening season at the newly rebuilt Lyric Theatre, Belfast in 2011. The Lyric production toured to New York, Belfast, Dublin, an[...]
A dance for all the outcasts

Article

As Susan Bassnett and Harish Trivedi argue, ‘translation does not happen in a vacuum, but in a continuum; it is not an isolated act, it is part of an ongoing process of intercultural transfer’. In understanding Brendan Behan's most celebrated an[...]
For all the outcasts of this world

Article

In Brendan Behan's "An Giall" and "The Hostage", song and dance establish atmosphere and character, comment ironically on the action, relate the characters to one another in a union of society's outcasts, and valorize life, love, healthy and ope[...]

Book

The Ginger Ale Boy; Disco Pigs; Misterman; bedbound; How These Desperate Men Talk; The Small Things; Lynndie's Gotta Gun; Chatroom

Book

Eight plays and six interviews with migrant and Irish-born theatre artists who are producing work at the intersection of interculturalism and inward-migration in Ireland during the first decades of the 21st Century.
Plays covered: Cave Dwell[...]
WexFour

Book

Ben BARNES, Publishing director ; John BANVILLE, Author ; Eoin COLFER, Author ; Billy ROCHE, Author ; Colm TOIBIN, Author | Dublin : Carysfort Press | 2014
WexFour réunit quatre pièces : "Prince Charming and the Dame" de John Banville, "My Real Life" de Eoin Colfer, "The Dog and Bone" de Billy Roche, et "Erosion" de Colm Toibin

Book

Faustus Kelly ; Thirst (short and long versions) ; Rhapsody in Stephen's Green : the Insect Play ; The Knife ; The Handsome Carvers ; A Moving Tale : A Dublin Hallucination ; The Boy From Ballytearim ; The Time Freddie Retired ; Flight ; The Man[...]

Book

Volume 1: Safety Announcement by Joseph O'Connor ; Poster Boy by Antonia Hart ; White Food by Ardal O'Hanlon ; Beat Him Like a Badger by Rosaleen McDonagh ; The King's Shilling by Mark Hennessy ; Don't Take It Personally by Rachel Fehily ; Sure [...]
Ghostly Surrogates and Unhomely Memories

Article

In Marina Carr's Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of female experience. Through application of Joseph R[...]