Centre Culturel Irlandais



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Centre Culturel Irlandais


 

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Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

Horaires d'ouverture

Du lundi au vendredi : 14h - 18h
Nocturne le mercredi jusqu'à 20h
Fermé week-end et jours fériés

Contacts

Carole Jacquet
Responsable des ressources documentaires

Marion Mossu
Chargée de ressources documentaires

Tel : 01 58 52 10 83 / 33

Où nous trouver ?

Tout près du Panthéon !
Centre Culturel Irlandais
5, rue des Irlandais - 75005 Paris

RER B : Luxembourg
Métros : M10 Cardinal Lemoine / M7 Place Monge
Bus : 84, 89, 21, 27

Carte

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She done Coriolanus at the Convent

Article

This article explores the gender politics of a neglected one-act play by Teresa Deevy, first staged at the Abbey in 1931, that revolves around the young female protagonist's recollection of a convent production of Shakespeare's "Coriolanus" in w[...]

Livre

Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexuality 4 Bachelors Gay: The Death and Resurrection[...]
Performing Trauma in Post-conflict Northern Ireland

Article

This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of nationalism and unionism, marginalised in psychoa[...]
From Brigit to Bailegangaire

Article

Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", was screened by RTÉ in 1988, "The Contest" became [...]
Home, the Asylum, and the Workhouse in The Shadow of the Glen

Article

This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of confinement which are mentioned in the play, ar[...]
Doing her spiriting

Article

Several studies have tried to answer the question ‘where is Ireland in "The Tempest"?’, while others have assessed Ireland's sense of its own postcoloniality through Irish writers' engagement with Shakespeare's most ‘colonial’ play. This essay a[...]
I heard him in that ancient poem

Article

In this interview, conducted in the Summer of 2014, Frank McGuinness talks about his introduction to Old and Middle English as a student in University College Dublin and its influence on his writings. Particular attention is given to his enormou[...]