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Patrick LONERGAN, Directeur de publication ; Anne ENRIGHT, Préfacier, etc. | Londres : Methuen Drama | 2020
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This article explores the gender politics of a neglected one-act play by Teresa Deevy, first staged at the Abbey in 1931, that revolves around the young female protagonist's recollection of a convent production of Shakespeare's "Coriolanus" in w[...]
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Part I - Nationalism and Identity 1 Divided Loyalties: The O’Neill 2 Deformities of Nationalism: Double Cross 3 Mum’s the Word: The Madame MacAdam Travelling Theatre Part II - Gender and Sexuality 4 Bachelors Gay: The Death and Resurrection[...]
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Performing Trauma in Post-conflict Northern Ireland : Ethics, Representation and the Witnessing Body
This article evaluates the role of the body in the performance and reception of trauma testimony in post-conflict Northern Ireland. It explores how the body is exploited in public performances of nationalism and unionism, marginalised in psychoa[...]
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Linda ANDERSON, Éditeur scientifique ; Dawn Miranda SHERRATT-BADO, Éditeur scientifique | Stillorgan : New Island | 2017
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Sonya KELLY, Auteur ; Noni STAPLETON, Auteur ; Margaret MCAULIFFE, Auteur | Londres : Methuen Drama | 2017Article
Tom Murphy's "Bailegangaire", premiered by Druid Theatre, Galway, in 1985 has its origins in a three-part TV drama which Murphy started planning in 1981. Of the three scripts only one, "Brigit", was screened by RTÉ in 1988, "The Contest" became [...]Article
This essay analyses J.M. Synge's construction of domestic and institutional space in his debut play The Shadow of the Glen. The Richmond Asylum and Rathdrum Union Workhouse, the two institutions of confinement which are mentioned in the play, ar[...]
