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This article analyses how Micheál macLíammóir’s Diarmuid and Gráinne (1928) and An Philibín’s Tristram and Iseult (1929) reimagine the function of mythology in the Free State by infusing their dramatic representations of these legendary marriage[...]
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This article traces Virgilian presences in Seamus Heaney's oeuvre, from Field Work (1979) to Human Chain (2010). Virgil appears under many guises in Heaney's poetry: in work published in the mid-1970s, he is a character from The Divine Comedy; b[...]Article
This paper addresses William Butler Yeats’s dramatisation of his life-long interest in the invisible realm and an ideal Irish aristocracy in his five Cuchulain plays. I wish to illustrate how Yeats expresses his increasing ambiguities over the c[...]
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Marilyne PLENARD, Compilateur ; Marilyne PLENARD, Traducteur ; Susanne STRASSMANN, Illustrateur | Paris : Flies France | 2017
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This study takes as its focus the early Finn Cycle, up to and including the composition of the most significant fíanaigecht tale, Acallam na senórach (‘The colloquy of the ancients’), at the beginning of the Early Modern Irish period. The volume[...]
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Part one: 1 Hidden Beginnings: From Cult to Conversion 2 Earthly Gods: Pagan Deities, Christian Meanings 3 Divine Culture: Exemplary Gods and the Mythological Cycle 4 New Mythologies: Pseudohistory and the Lore of Poets 5 Vulnerability and [...]
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Tain Bo Cuailnge was written in the 11th century and was translated into Modern Irish by Darach O Scolai.
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Ossian & the Hare1 is an experimental film-essay combination intended to work like two sides of the same coin. The 20 minute long film is designed to be more experiential than narrative driven, moving us through various spaces and atmospheres as[...]
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Audrey ROBITAILLIE, Auteur | 2015
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Irish Images on Film and the Hero Journey: A Theoretical Introduction
Childhood and the Magic of Myth:Into the West, The Secret of Roan Inish, and In America
Falling in Love and the Lore of Matchmaking:The Quiet Man and The Matchmaker
