Mon compte
 | Vol 49 n 1 Spring/Summer 2019 | Vol 49 n 2 Autumn/Winter 2019 | Vol 50 n 1 Special Issue Spring/Summer 2020 | Vol 50 n 2 Autumn/Winter 2020 | Vol 51 n 1 Spring/Summer 2021 | Vol 51 n 2 Autumn/Winter 2021 |  |
| Titre : | Irish University Review : Périodique numérique et imprimé Vol 50 n 2 - Autumn/Winter 2020 |
| Type de document : | Bulletin |
| Paru le : | 01/12/2020 |
Dépouillements
Article
Although Northern Irish poet Leontia Flynn’s work has always been politically invested, her 2018 collection The Radioshifts its gaze fromglobal pressures on the local to local lessons for global geopolitics.The poet of‘the new North’, born and r[...]
Article
This essay adapts David Cregan’s concept of‘queer memory’–a form of memory defined‘by exclusion rather than inclusion’–to the author of The Quare Fellow, analysing narrative gaps in Brendan Behan’s Borstal Boy in order to better understand its c[...]
Article
Deirdre Madden’s novel One by One in the Darkness, first published in 1996, marks its twenty-fifth anniversary in 2021. Madden began writing the book in 1993 in anticipation of another anniversary(a quarter century of political and sectaria[...]
Article
The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply [...]
Article
This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932), Deevy’s first twoAbbey productions, The Reape[...]
Article
Tom O’Flaherty’s unpublished novel Red Crom’s Island is a distinctly political potboiler that envisions the Gaeltacht as a potential centre for leftist revolutionary activity. By comparison, O’Flaherty’s two Anglophone short stories collection[...]
Article
This article investigates how William Butler Yeats’s interest in, and professional engagement with, modern dance affected the dramaturgical composition of his plays. Instead of focusing on individual dancers’contributions to the dance plays’ pre[...]
Article
Article
Article
Article
Article
Article