AdresseCentre Culturel Irlandais
|Vol 49 n 1|
|Vol 49 n 2|
|Vol 50 n 1|
Special Issue Spring/Summer 2020
|Vol 50 n 2|
|Vol 51 n 1|
|Vol 51 n 2|
|Vol 52 n 1|
|Titre :||Irish University Review : Périodique numérique et imprimé Vol 50 n 2 - Autumn/Winter 2020|
|Type de document :||Bulletin|
|Paru le :||01/12/2020|
Although Northern Irish poet Leontia Flynn’s work has always been politically invested, her 2018 collection The Radioshifts its gaze fromglobal pressures on the local to local lessons for global ge...
This essay adapts David Cregan’s concept of‘queer memory’–a form of memory defined‘by exclusion rather than inclusion’–to the author of The Quare Fellow, analysing narrative gaps in Brendan Behan’s...
Deirdre Madden’s novel One by One in the Darkness, first published in 1996, marks its twenty-fifth anniversary in 2021. Madden began writing the book in 1993 in anticipation of another anniver...
The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel’s plays. As the archive attests, these influences manifest themselves in way...
‘It was then I knew life’: Political Critique and Moral Debate in Teresa Deevy’s Temporal Powers(1932)
This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932...
Tom O’Flaherty’s unpublished novel Red Crom’s Island is a distinctly political potboiler that envisions the Gaeltacht as a potential centre for leftist revolutionary activity. By comparison, O’Fl...
W.B. Yeats the Choreographer: Composition in the Manuscripts of At the Hawk’s Well and The Only Jealousy of Emer
This article investigates how William Butler Yeats’s interest in, and professional engagement with, modern dance affected the dramaturgical composition of his plays. Instead of focusing on individu...
Nidhi ZAK, Auteur ; Aria EIPE, Auteur |