Mon compte
 | Vol 44 n 2 Autumn/Winter 2014 | Vol 45 n 1 Spring/Summer 2015 | Vol 45 n 2 Autumn/Winter 2015 | Vol 46 n 1 Spring/Summer 2016 | Vol 46 n 2 Autumn/Winter 2016 | Vol 47 n 1 Spring/Summer 2017 | Vol 47 n 2 Autumn/Winter 2017 |  |
| Titre : | Irish University Review : Périodique numérique et imprimé Vol 46 n 1 - Spring/Summer 2016 |
| Type de document : | Bulletin |
| Paru le : | 01/06/2016 |
Dépouillements
Article
Article
Article
Article
This essay rewrites the history of Irish poetic experiment away from modernism, or at least from contemporary industry-driven senses of the term which have multiplied to the point of overuse as a catch-all category. It is divided into two parts.[...]
Article
Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of th[...]
Article
A review of the two most recent collections by Billy Mills and Catherine Walsh: namely, "Imaginary Gardens" and "Astonished Birds/Cara, Jane, Bob and James", both published by hardPressed poetry in 2012. An attempt is made to describe how both a[...]
Article
This essay discusses the issue of place and its representation in the work of the contemporary Irish experimental poet, Billy Mills. It considers the ontological priority Mills's poetry and related critical work grant the object world, and the n[...]
Article
This essay argues that a feminist ethics of emplaced nomadism underpins Catherine Walsh's "City West". It examines Walsh's engagement with the politics of contemporary neo-liberal Ireland, and argues that her experimentation with nomadism is an [...]
Article
Maurice Scully published "Humming" (2009), a single, self-contained work, after the completion of the monumental eight-book ‘set’ "Things That Happen" (1987–2008). Humming is an elegy, dedicated to the poet's brother, who died in 2004. This arti[...]
Article
What has lyric to do with any radical phenomenology's choreography? Maurice Scully in "Several Dances" asks that question, as he has for years now, alongside other poets of Ireland's avant-garde whose ‘distinguishing (not inhibiting) feature’, a[...]
Article
This essay addresses appropriation in the poetry of Trevor Joyce. The author analyses the function and impact of textual borrowing in a number of recent poems by Joyce, comparing and contrasting Joyce's appropriative practice to that of a number[...]
Article
Randolph Healy's 1997 poem ‘Arbor Vitae’ connects formally experimental poetry with an Irish tradition of politically engaged literature. Eschewing questions of national boundaries or authenticity, Healy instead develops a poetics and ethics of [...]
Article
This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book "Abstract Lyrics and other poems: 2006–2012". It is contended th[...]
Article
In an interview in 1971 Tom Raworth states ‘I don't really see any reason for a term like “English poet”’ and throughout his career Raworth has resisted such simple national classifications. His work is often discussed in relation to the strong [...]
Article
This essay takes as its focus the visual elements in Maggie O'Sullivan's "A Natural History in 3 Incomplete Parts" (1985) and "POINT.BLANK.RANGE" (1984). Considering the question of how these visual elements fit in with her wider practice, it ex[...]
Article
Article
Article
Article
Article