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Centre Culturel Irlandaiscontact
 | Vol 44 n 2 Autumn/Winter 2014 | Vol 45 n 1 Spring/Summer 2015 | Vol 45 n 2 Autumn/Winter 2015 | Vol 46 n 1 Spring/Summer 2016 | Vol 46 n 2 Autumn/Winter 2016 | Vol 47 n 1 Spring/Summer 2017 | Vol 47 n 2 Autumn/Winter 2017 |  |
| Titre : | Irish University Review : Périodique numérique et imprimé Vol 46 n 1 - Spring/Summer 2016 |
| Type de document : | Bulletin |
| Paru le : | 01/06/2016 |
Dépouillements
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This essay rewrites the history of Irish poetic experiment away from modernism, or at least from contemporary industry-driven senses of the term which have multiplied to the point of overuse as a c...
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Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts...
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A review of the two most recent collections by Billy Mills and Catherine Walsh: namely, "Imaginary Gardens" and "Astonished Birds/Cara, Jane, Bob and James", both published by hardPressed poetry in...
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This essay discusses the issue of place and its representation in the work of the contemporary Irish experimental poet, Billy Mills. It considers the ontological priority Mills's poetry and related...
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This essay argues that a feminist ethics of emplaced nomadism underpins Catherine Walsh's "City West". It examines Walsh's engagement with the politics of contemporary neo-liberal Ireland, and argu...
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Maurice Scully published "Humming" (2009), a single, self-contained work, after the completion of the monumental eight-book ‘set’ "Things That Happen" (1987–2008). Humming is an elegy, dedicated to...
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What has lyric to do with any radical phenomenology's choreography? Maurice Scully in "Several Dances" asks that question, as he has for years now, alongside other poets of Ireland's avant-garde wh...
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This essay addresses appropriation in the poetry of Trevor Joyce. The author analyses the function and impact of textual borrowing in a number of recent poems by Joyce, comparing and contrasting Jo...
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Randolph Healy's 1997 poem ‘Arbor Vitae’ connects formally experimental poetry with an Irish tradition of politically engaged literature. Eschewing questions of national boundaries or authenticity,...
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This essay examines a number of Geoffrey Squires's recent digital texts which were released in various forms online and later standardised and published together in the Kindle Book "Abstract Lyrics...
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In an interview in 1971 Tom Raworth states ‘I don't really see any reason for a term like “English poet”’ and throughout his career Raworth has resisted such simple national classifications. His wo...
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This essay takes as its focus the visual elements in Maggie O'Sullivan's "A Natural History in 3 Incomplete Parts" (1985) and "POINT.BLANK.RANGE" (1984). Considering the question of how these visua...
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