Titre : | Irish University Review : Périodique numérique et imprimé Vol 47 n 2 - Autumn/Winter 2017 |
Type de document : | Bulletin |
Paru le : | 01/12/2017 |
Dépouillements

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Pilar VILLAR ARGAIZ, Intervieweur ;
Eilean NI CHUILLEANAIN, Personne interviewée
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Oona Frawley's 2014 novel Flight interrogates Irish cultural responses to transnational labour since the 1990s. The novel's protagonist is a Zimbabwean refugee named Sandrine, whose pregnant body threatens an exclusionary, racial definition of I[...]

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This article traces Virgilian presences in Seamus Heaney's oeuvre, from Field Work (1979) to Human Chain (2010). Virgil appears under many guises in Heaney's poetry: in work published in the mid-1970s, he is a character from The Divine Comedy; b[...]

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Life writing by disabled people in Ireland during the post-independence period constitutes a culturally specific narrative emphasizing the relationship between disability and class and the shaping forces of social and geographical insularity. Be[...]

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Allusions to other texts abound in John McGahern's fiction. His works repeatedly, though diffidently, refer to literary tradition. Yet the nature of such allusiveness is still unclear. This article focuses on how allusion in The Pornographer (19[...]

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Yoko SATO, Auteur
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W.B. Yeats intended The Cat and the Moon to be a Japanese ‘Kiogen’, a farce or comedy presented between two Noh plays or within a single Noh play. In the inner drama of The Cat and the Moon, miracles happen to both of the emblematic characters, [...]

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Beckett's Ill Seen Ill Said begins with the protagonist in a position where ‘she sees Venus rise followed by the sun.’ This opening indicates the direct relationship between the narrative and astronomical phenomena of Venus rising as the morning[...]

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Brad KENT, Auteur
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This essay examines the influence of Bernard Shaw on Sean O'Faolain's ideas and his understanding of his role as a public intellectual. In theoretical terms, the essay underscores the rhetorical and concrete importance of precursors, delineating[...]

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This essay views science as a creative mask for the poetry and philosophy of W.B. Yeats. It explores the changing worldview which occurred at the beginning of the twentieth century with the discovery of wave-particle duality by Max Planck in 190[...]

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Insects are central to Thomas Kinsella's poetic ecologies. First, they highlight Kinsella's interest in process and change. Many of his volumes thematize circularity and cyclicality, growth and decay, and insects' short lives make these metamorp[...]