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| Titre : | Irish University Review : Périodique numérique et imprimé Vol 47 n 1 - Spring/Summer 2017 |
| Type de document : | Bulletin |
| Paru le : | 01/06/2017 |
Dépouillements
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The mass drowning of Protestants in Portadown is the defining cultural memory of the 1641 rebellion, yet it is a little known and highly contested incident. In this essay I return to the earliest recorded memories of the massacre found among the[...]
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Edmund Spenser has been beleaguered by some critics who deem him to be a willing and active representative of the worst of English colonial aspirations, and defended by others who see him as a humanist poet caught in the closing jaws of an imper[...]
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What happens to memories when migrants carry their pasts with them to their receiving countries? How do these migrated memories of a past originally connected to the native country develop when they intersect with the cultural legacies of other [...]
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This essay explores Irish social memories of fasting and hunger by reading works by James Clarence Mangan, Speranza (Lady Wilde), W.B. Yeats, and three folk stories recorded in the Schools Collection of the National Folklore Archive. In Famine l[...]
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‘Trauma’ has become a pervasive trope in discourse and practice concerned with the affective legacies of the Northern Ireland Troubles. This article argues that its productivity may now be exhausted. Whether homogenised as the trace of an unspea[...]
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This essay explores how the notion of ‘parallel games’ works to queer memory in two productions of Northern Ireland's first publicly funded gay theatre company, TheatreofplucK, led by artistic director Niall Rea: the testimonial monologue D.R.A.[...]
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Una KAVANAGH, Auteur ;
Louise LOWE, Auteur
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In Paul Murray's Skippy Dies (2010), Eimear McBride's A Girl is a Half-Formed Thing (2013) and Rob Doyle's Here Are the Young Men (2014), fictional characters are depicted playing both real and imagined videogames featuring a number of avatar pe[...]
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Anne Enright's trauma novel, The Gathering (2007), and Tana French's crime novel, The Secret Place (2014), can be seen to operate purposefully within the familiar codes of their respective genres to a degree that draws attention to the processes[...]