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| Titre : | Etudes irlandaises vol 33 n 2 - 2008 |
| Type de document : | Bulletin |
| Paru le : | 01/01/2008 |
Dépouillements
Article
Emile-Jean DUMAY, Auteur
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Cette communication faite à deux voix (par le traducteur et le metteur en scène de Dermot Bolger à Paris) retrace l'histoire du théâtre de Bolger en France dans sa version traduite. Elle insiste d'une part sur les caractéristiques des diverses m[...]
Article
Julie VATAIN, Auteur
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The rules and stakes of translation in the theatre are modified by the immediate impact of the dialogue as well as its incarnation in the voice and body of the actors. Using two precise examples of confrontation in the comedy of manners, this ar[...]
Article
Alexandra POULAIN, Intervieweur ;
Nathalie KOUROUMA, Personne interviewée ;
Conor LOVETT, Personne interviewée ;
Stuart SEIDE, Personne interviewée
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A. Poulain. I am delighted to have the opportunity to present our three guests for this round table devoted to Samuel Beckett. Let me first introduce Stuart Seide, our host here at Théâtre du Nord, and allow me to say how grateful we are for his[...]
Article
Helen PENET-ASTBURY, Auteur
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Rough for theatre 1 and 2 represent a turning point in Beckett's career as a bilingual playwright. They are the last plays Beckett wrote in French, and, as their titles suggest, they remained unfinished. After the failure of the Roughs, Beckett'[...]
Article
Nicholas GRENE, Auteur
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In the light of increasing emphasis in both criticism and theatrical productions on the Irishness of Beckett, this paper examines the Irish dimensions to the English language text of Waiting for Godot. This is approached through an account of th[...]
Article
Brian SINGLETON, Auteur
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Two contemporary productions representing the visit of French theatrical visionary Antonin Artaud to Ireland in 1937 are the subject of this paper. One production charted, in a linear fashion, Artaud's journey through Ireland to his delusional s[...]
Article
Wesley HUTCHINSON, Auteur
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The paper looks at Armand Gatti's work on the hunger strikes in Northern Ireland through an examination of two plays, Le Labyrinthe (1982) and Le Labyrinthe tel qu'il a été écrit par les habitants de l'histoire de Derry (1983), and a major essay[...]
Article
Pascal AQUIEN, Auteur
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L'influence du théâtre bourgeois français du XIXe siècle sur la production dramatique d'Oscar Wilde est considérable. D'une part, le dramaturge irlandais se sert de ce cadre formel préétabli pour construire ses comédies de société ; d'autre part[...]
Article
Shaun RICHARDS, Auteur
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The article reads the work of J.M. Synge, especially The Playboy of the Western World (1907), within the context of fin-de-siècle Paris's fusion of art and anarchism of which Alfred Jarry's Ubu Roi (1896) is the best-known theatrical expression.[...]
Article
Cathy LEENEY, Auteur
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Through an outline exploration of key issues in his training for actors, this paper suggests that the influence of Jacques Lecoq on Irish theatre is at an early stage of development, and that, through individuals and companies linked with Lecoq,[...]
Article
Alexandra POULAIN, Auteur
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The article looks at Lady Gregory's translations of four Molière plays into the Kiltartan dialect, and contends that they are part of a cultural battle Gregory is fighting, a complex contribution to the Abbey's project of constructing a national[...]
Article
Peter KUCH, Auteur
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Sarah Bernhardt's 1891 Melbourne season marked a key moment in Australian cultural history, a moment when modernity triumphed over modernism. Modernity is taken to mean the technological innovations that refigured contemporary paradigms of time [...]