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‘It was then I knew life’: Political Critique and Moral Debate in Teresa Deevy’s Temporal Powers(1932)

Caoilfhionn NI BHEACHAIN, Auteur |

Dans Irish University Review (Vol 50 n 2 Autumn/Winter 2020)

This article argues that Teresa Deevy’s early plays for the Abbey Theatre deliberately intervened in the cultural politics of the Irish Free State. While the focus here is on Temporal Powers(1932), Deevy’s first twoAbbey productions, The Reape[...]

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